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With the sun at the center; Copernicus appears at lower right and Ptolemy at lower left
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ST. MICHAEL THE ARCHANGEL. Terracotta lunette, c1475, by Andrea Della Robbia
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Woodcut from the first book of Andreas Vesalius De Humani Corporis Fabrica
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PTOLEMAIC UNIVERSE, 1660
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COPERNICAN UNIVERSE, 1660. Copernican map of the Universe
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CELESTIAL PLANISPHERE, 1660. Schillers Christianized Heaven, southern hemisphere
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PALLADIO: TEATRO OLIMPICO. Designed by Andrea Palladio, 1579. Vicenza, Italy
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WWI: REFUGEES, 1917. Soeur Gabrielle, Soeur Eustelle, Soeur Philomene, and Soeur Andrea
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UTAH: STEEL MILL, 1942. Construction of a Columbia Steel Company factory at Geneva, Utah
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UTAH: STEEL MILL, 1942. Construction site of Columbia Steel Company in Geneva, Utah
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UTAH: STEEL MILL, 1942. Partly finished open-hearth furnaces and smokestakes of
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COLORADO: US 40, 1942. A 1941 Buick convertible driving down highway US 40, above
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ANDREAS VESALIUS (1514-1564). Belgian anatomist
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ALTHAMER: TITLE PAGE, 1527. Title page for the published notes on the letters of St
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MANTEGNA: MADONNA. Madonna and child with an angel
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BOTANY: SEA LAVENDER. (Statice limonium)
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BOTANY: SAFFRON. (Crocus sativus). Woodcut from Pietro Andrea Mattiolis Commentaires
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VERVAIN. Common vervain (Verbena officinalis): woodcut from a 1565 edition of Pietro
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BOTANY: FEMALE MANDRAKE. Woodcut from Pietro Andrea Mattiolis Commentaires, Lyons
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BOTANY: MALE MANDRAKE. Woodcut from Pietro Andrea Mattiolis Commentaires, Lyons
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ANDREAS VESALIUS (1514-1564). Belgian anatomist
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BOTANY: PARSLEY, 1579. Petroselinum crispum
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OAK TREE. Quercus Robur sessiliflora
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BOTANY: COTTON PLANT, 1579. Woodcut from Pietro Andrea Mattiolis Commentaires
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PRINCE A. K. RASUMOWSKY (1752-1836)
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ANDREA POZZO (1642-1709). Italian painter and architect
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ANDREA PALLADIO (1518-1580). Italian architect. Portrait by Bernardino Licinio
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ANDREAS HOFER (1767-1810). Tyrolean patriot. Line engraving, German, 19th century
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ANDREA DORIA (1468-1560). Genoese admiral and statesman
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URANIA & ASTRONOMERS, 1660. Tycho Brahe, Ptolemy, St. Augustine, Nicolaus Copernicus
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DEATH OF THE VIRGIN Death of the Virgin. Tempera on panel, Andrea Mantegna, c1462
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MERMAID, 1542. Mermaid. Woodcut from Alciatis Emblemata, mid 16th century
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The fifth plate of the muscles
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Dissection of the brain (fig. 8)
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The anterior aspect of the bones of the human body articulated together
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Lateral view of the human skeletal system: woodcut from the first book of Andreas Vesalius De Humani Corporis Fabrica
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Genitalia of a human female. Woodcut from Andreas Vesalius De Humani Corporis Fabrica
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Dissection of the brain (fig. 5)
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Right side view of the brain and cerebellum
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(Figure 2). Woodcut from the seventh book of Andreas Vesalius De Humani Corporis Fabrica
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The topography of the viscera in the female human body
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Delineation of the spinal nerves
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The base of the entire brain
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Dissection of the brain (fig. 6)
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Plan of Villa Foscari (La Malcontenta) Mira, Italy, c1560
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Dissection of the brain (fig. 9)
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Third Plate of the Muscles: colored woodcut from the second book of Andreas Vesalius De Humani Corporis Fabrica
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The first plate of the muscles
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(Figure 12). Woodcut from the seventh book of Andreas Vesalius De Humani Corporis Fabrica
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The fourth plate of the muscles
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Woodcut from the third book of Andreas Vesalius De Humani Corporis Fabrica
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Woodcut from the first book of Andreas Vesalius De Humani Corporis Fabrica
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The tenth plate of the muscles
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Urogenital system of the human female
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Dissection of the Cranium. Colored woodcut from the seventh book of Andreas Vesalius De Humani Corporis Fabrica
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Woodcut of a human liver from the third book of Andreas Vesalius De Humani Corporis Fabrica
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The uterus of the human female
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Woodcut from the seventh book of Andreas Vesalius De Humani Corporis Fabrica
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(Figure 1). Woodcut from the seventh book of Andreas Vesalius De Humani Corporis Fabrica
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Woodcut from the second book of Andreas Vesalius De Humani Corporis Fabrica
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Dissection of the brain (fig. 4)
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Woodcut from the sixth book of Andreas Vesalius De Humani Corporis Fabrica
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Plan of the Teatro Olimpico at Vicenza, Italy, 1579
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Third plate of muscles. Woodcut from the Epitome of Andreas Vesalius De Humani Corporis Fabrica
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The twelfth plate of the muscles
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Dissection of the brain (fig. 3)
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Eleventh plate of Muscles. Woodcut from the second book of Andreas Vesalius De Humani Corporis Fabrica
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Woodcut disproving the then current notion that the pelvis of the kidney was divided by a sieve or filter E
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Second plate of the Muscles. Color woodcut from the second book of Andreas Vesalius De Humani Corporis Fabrica
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Dissection of the brain (fig. 7)
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Posterior aspect of the spinal nerves
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Woodcut from the fourth book of Andreas Vesalius De Humani Corporis Fabrica
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First Plate of the Muscles: colored woodcut from the second book of Andreas Vesalius De Humani Corporis Fabrica
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Second figure of muscles. Woodcut from the Epitome of Andreas Vesalius De Humani Corporis Fabrica
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Second plate of Muscles. Woodcut from the second book of Andreas Vesalius De Humani Corporis Fabrica
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Belgian anatomist. Wood engraving, 19th century
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Woodcut from the Epitome of Andreas Vesalius De Humani Corporis Fabrica
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Belgian anatomist. Steel engraving, English, 1840
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Woodcut title page to the second edition of Andreas Vesalius De Humani Corporis Fabrica
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The death of King Henry II of France in 1559, with the physicians Ambroise Par
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King Henri II mortally wounded in a joust, attended by Ambroise Par
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Andreas Vesalius (1514-1564) teaching anatomy
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Tempera on canvas by Andrea Mantegna
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ANDREA PALLADIO (1508-1580). Italian architect
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