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The Capture of Guatemoc (c. 1495-1522), the last Aztec Emperor of Mexico (panel No. 8)
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The Capture of Guatemoc (c. 1495-1522), the last Aztec Emperor of Mexico (panel No. 8)
BAL82569 The Capture of Guatemoc (c.1495-1522), the last Aztec Emperor of Mexico (panel No.8) by Spanish School, (16th century); Private Collection; (add.info.: nephew and son-in-law of Montezuma; 1: Guatemoc, King of Mexico; 2: ship which reaches them; 3: canoes with gold and silver; ); Spanish, out of copyright
Media ID 12937595
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EDITORS COMMENTS
The Capture of Guatemoc (c. 1495-1522), the last Aztec Emperor of Mexico (panel No. 8) is a captivating print that transports us back to a significant moment in history. This artwork, created by the Spanish School in the 16th century, depicts the dramatic capture of Guatemoc, who was not only the nephew but also the son-in-law of Montezuma. In this panel, we witness three key elements that contribute to the intensity and significance of this event. Firstly, our attention is drawn to Guatemoc himself, standing tall and defiant as he is surrounded by Spanish conquerors. His regal presence symbolizes both his resilience and his tragic fate as he becomes a prisoner. Secondly, we observe a ship reaching them on rough waters. This arrival signifies the overwhelming power and dominance of European forces over indigenous civilizations during this era of exploration and conquest. Lastly, canoes filled with gold and silver are seen alongside Guatemoc's capture. These precious treasures represent both the wealth that enticed European powers to venture across oceans in search for new territories and resources, as well as an unfortunate reminder of how these riches were exploited at great cost to native cultures. This print serves as a powerful visual reminder of historical events that shaped our world today. It invites contemplation on themes such as colonialism, cultural exchange, power dynamics between civilizations, and ultimately raises questions about justice and human rights.
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