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The Italian Pavilion at the Universal Exhibition of 1900, Paris, illustration
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The Italian Pavilion at the Universal Exhibition of 1900, Paris, illustration
XIR267146 The Italian Pavilion at the Universal Exhibition of 1900, Paris, illustration from Le Petit Journal, 29th April 1900 (colour litho) by French School, (20th century); Private Collection; (add.info.: Pavillon de l Italie, Exposition Universelle de 1900; built by Carlo Ceppi and Salvadori; Italie; basilica di San Marco in Venice; St.Mark s; ); French, out of copyright
Media ID 12786277
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Barrel Canal Craft Crafts Cupola Duke Of Savoy Folklore Gondola Humbert King Umberto I Oranges Veneto Byzantine Watermelons World Fair 1844 1900 Traditional Costume
The Italian Pavilion at the Universal Exhibition of 1900, Paris
EDITORS COMMENTS
captures a moment frozen in time, showcasing the grandeur and beauty of Italian architecture and culture. This stunning illustration from Le Petit Journal transports us back to a bygone era when the world gathered in Paris to marvel at technological advancements and artistic achievements. The pavilion itself is an architectural masterpiece, built by Carlo Ceppi and Salvadori. Drawing inspiration from the Veneto Byzantine style, it echoes the magnificence of St. Mark's Basilica in Venice with its majestic dome and cupola. The scene is alive with vibrant colors as men and women dressed in traditional costumes gather around, creating a lively atmosphere reminiscent of an Italian village festival. Amidst this bustling crowd, we see shepherds proudly displaying their fruits - oranges and watermelons - symbolizing Italy's rich agricultural heritage. A barrel nearby hints at the country's renowned wine production. The intricate headdresses adorned with fabric lace patterns add an air of elegance to this picturesque setting. Intriguingly, a gondola glides through a canal adjacent to the pavilion, reminding us of Venice's iconic waterways. This juxtaposition highlights Italy's mastery not only in architecture but also craftsmanship. This image also pays tribute to King Umberto I (1844-1900), Duke of Savoy whose oval portrait graces one corner of the illustration. His presence serves as a reminder that even amidst celebration and cultural exchange during international exhibitions
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