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The Rhodes Colossus, from Punch, 10th December 1892 (engraving) (b / w photo)

The Rhodes Colossus, from Punch, 10th December 1892 (engraving) (b  /  w photo)


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The Rhodes Colossus, from Punch, 10th December 1892 (engraving) (b / w photo)

XJF271019 The Rhodes Colossus, from Punch, 10th December 1892 (engraving) (b/w photo) by English School, (19th century); Private Collection; (add.info.: Cecil Rhodes (1853-1902); striding from Cape Town to Cairo; ); English, out of copyright

Media ID 12788391

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Businessman Imperialism


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The Rhodes Colossus - A Satirical Take on Imperialism in the 19th Century

EDITORS COMMENTS
. This print captures a powerful engraving titled "The Rhodes Colossus" from Punch, dated 10th December 1892. Created by an anonymous English artist from the 19th century, this satirical artwork is now part of a private collection. Depicting Cecil Rhodes (1853-1902), a prominent figure of his time, the engraving portrays him as a colossal figure striding confidently from Cape Town to Cairo. With his distinctive moustache and Victorian attire, Rhodes embodies the epitome of imperialism during that era. Armed with both gun and rifle, he symbolizes the dominance and control exerted by colonial powers over South Africa. The exaggerated portrayal highlights not only Rhodes' influence but also serves as social commentary on British imperialism at large. This thought-provoking piece invites viewers to reflect upon the consequences of such expansionist policies while simultaneously poking fun at the ambitious businessman behind them. It encapsulates an era when power dynamics were shifting rapidly across continents. As we gaze upon this intriguing image, let us remember its historical context without mentioning commercial use or any connection to present-day companies. Instead, let us appreciate it as a valuable artistic representation that sheds light on important aspects of our shared history.

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