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Beaker depicting the Shahnama, Kashan, Iran, Saljuq Period
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Beaker depicting the Shahnama, Kashan, Iran, Saljuq Period
5894010 Beaker depicting the Shahnama, Kashan, Iran, Saljuq Period, late 12th century (stone-paste painted under glaze and over glaze with enamel) by Persian School, (12th century); 12x11.2x11.2 cm; Freer Gallery of Art, Smithsonian Institution, USA; (add.info.: This celebrated beaker is the only known object from the Islamic world that is illustrated with a complete narrative cycle from the Shahnama, the Persian Book of Kings. Organized in horizontal bands, the small but highly detailed images recount the adventures of Bizhan and Manizha, beginning with Firdawsis beloved telling the story. The climax in the narrative appears in the lower register and depicts Rustam rescuing Bizhan from the pit where he has been imprisoned by the Turanian king Afrasiyab, Manizhas evil father. This pictorial cycle predates any other depictions of the Bizhan and Manizha romance by some one hundred years.); Freer Gallery of Art, Smithsonian Institution; Purchase - Charles Lang Freer Endowment; Iranian, out of copyright
Media ID 22562310
© Freer Gallery of Art, Smithsonian Institution Purchase - Charles Lang Freer Endowment / Bridgeman Images
Afrasiyab Band Bands Beaker Bijan Bizhan Camel Camels Cycle Decorations East Eastern Epic Iran Iranian Lover Manizha Middle Mina I Minai Motif Narrative Period Persia Pictorial Rituals Rustam Seljuk Shahnama Shahnameh Stoneware Ware Ceramics Lovers Stone Paste
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This print showcases a remarkable beaker from the Saljuq Period in Kashan, Iran. Created by the Persian School in the late 12th century, this stone-paste painted under glaze and over glaze with enamel masterpiece measures 12x11.2x11.2 cm and is housed at the Freer Gallery of Art, Smithsonian Institution in the USA. What sets this beaker apart is its unique depiction of a complete narrative cycle from the Shahnama, also known as the Persian Book of Kings. This makes it an exceptional piece within Islamic art history. The intricate design features small yet highly detailed images organized in horizontal bands that recount the adventures of Bizhan and Manizha. The story begins with Firdawsi's beloved tale-telling before delving into various episodes involving these legendary characters. The climax unfolds in the lower register where Rustam comes to Bizhan's rescue from a pit where he has been imprisoned by Afrasiyab, Manizha's villainous father. It is worth noting that this pictorial cycle predates any other depictions of their romance by approximately one hundred years. With its historical significance and exquisite craftsmanship, this beaker stands as a testament to both artistic mastery and storytelling prowess during ancient times. Its acquisition through Charles Lang Freer Endowment further solidifies its importance within Iranian cultural heritage.
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