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Effigy of Aveline, First Wife of Edmund Crouchback, Earl of Lancaster

Effigy of Aveline, First Wife of Edmund Crouchback, Earl of Lancaster


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Effigy of Aveline, First Wife of Edmund Crouchback, Earl of Lancaster

STC92174 Effigy of Aveline, First Wife of Edmund Crouchback, Earl of Lancaster, on the North Side of the Altar, plate G from Westminster Abbey, engraved by J. Bluck (fl.1791-1831) pub. by Rudolph Ackermann (1764-1831) 1812 (aquatint) by Mackenzie, Frederick (c.1788-1854) (after); Private Collection; (add.info.: Aveline de Fortibus d. 1273; ); The Stapleton Collection; English, out of copyright

Media ID 22606266

© The Stapleton Collection / Bridgeman Images

Countess


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Medieval Art

> Arts > Artists > A > Rudolph Ackermann

> Arts > Artists > M > Frederick Mackenzie

> Europe > United Kingdom > England > London > Politics > Frederick North

> Europe > United Kingdom > Heritage Sites > Palace of Westminster and Westminster

> Fine Art Finder > Architecture: London, Ecclesiastical

> Fine Art Finder > Artists > Frederick (after) Mackenzie

> Fine Art Finder > Artists > William Johnstone (after) White

> Historic > Monuments and landmarks > Monuments and memorials

> Historic > Monuments and landmarks


EDITORS COMMENTS
This print showcases the exquisite Effigy of Aveline, the first wife of Edmund Crouchback, Earl of Lancaster. The effigy is located on the north side of the altar in Westminster Abbey, and its intricate details are brought to life through this aquatint engraving by J. Bluck. Dating back to 1812, this remarkable artwork was published by Rudolph Ackermann and depicts a true masterpiece from medieval times. Created by Frederick Mackenzie as an afterimage, it beautifully captures the essence of Aveline de Fortibus, who passed away in 1273. The image belongs to a private collection known as The Stapleton Collection and represents a significant piece of English history. It transports us back in time to an era filled with gothic architecture and noble monuments. As we gaze upon this stunning print, we can't help but marvel at the craftsmanship that went into creating such a lifelike representation. Every delicate curve and ornate detail tells a story about Avaline's status as Countess and her connection to Edmund Crouchback. With its rich historical context and undeniable beauty, this print serves as both an artistic treasure and a window into England's past. It reminds us of how art has always been intertwined with our human desire for remembrance and commemoration throughout centuries gone by.

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