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The Camelopard, or a New Hobby, 1827 (colour engraving)
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The Camelopard, or a New Hobby, 1827 (colour engraving)
XCF290991 The Camelopard, or a New Hobby, 1827 (colour engraving) by Heath, William (1795-1840); University Library, Princeton, New Jersey, USA; (add.info.: George IV (1762-1830) and Lady Conyngham; ); English, out of copyright
Media ID 18254827
© University Library, Princeton, New Jersey, USA / Bridgeman Images
Bowing Camel Courtier Gift Giraffe Hanoverian Hybrid Leopard Mistress Prinny Servants Egyptians
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The Camelopard - A Whimsical Encounter of Royalty and Exoticism
EDITORS COMMENTS
. In this 1827 colour engraving titled "The Camelopard, or a New Hobby" we are transported back to the Georgian era, where satire and caricature thrived. The print depicts an extraordinary scene featuring George IV (1762-1830), known as Prinny, and Lady Conyngham engaging in a peculiar pastime. Amidst a backdrop of opulent surroundings, the central focus is on a magnificent hybrid creature - part leopard, part giraffe - playfully referred to as the "cameleopard". This whimsical creation symbolizes the fascination with exotic animals that permeated European courts during this time. George IV can be seen mounted atop this fantastical beast while Lady Conyngham stands nearby, both adorned in lavish attire. Their expressions suggest delight and amusement at their newfound hobby. Surrounding them are servants dressed as Egyptians, adding an air of mystique to the scene. This satirical print not only pokes fun at George IV's extravagant tastes but also serves as commentary on his relationship with Lady Conyngham. It hints at her influence over him by presenting her as his mistress through subtle gestures such as her receiving a gift from one of the servants. "The Camelopard" offers us a glimpse into the world of Georgian court life while simultaneously inviting us to reflect on themes of power dynamics, indulgence, and cultural appropriation prevalent during that era.
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