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Byzantine Art: binding plate: Jesus Christ crowned Emperor Otton II (955-983

Byzantine Art: binding plate: Jesus Christ crowned Emperor Otton II (955-983


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Byzantine Art: binding plate: Jesus Christ crowned Emperor Otton II (955-983

LSE4076658 Byzantine Art: binding plate: Jesus Christ crowned Emperor Otton II (955-983) and his wife Princess Theophano Skleraina (or Theophanu or Theophania) (955-991). Elephant ivory sculpture. 982-983. Dim. 0, 18x0, 10 m. Paris, National Museum of the Middle Ages, Thermes de Cluny by Byzantine, (10th century); Musee National du Moyen Age et des Thermes de Cluny, Paris; (add.info.: Byzantine Art: binding plate: Jesus Christ crowned Emperor Otton II (955-983) and his wife Princess Theophano Skleraina (or Theophanu or Theophania) (955-991). Elephant ivory sculpture. 982-983. Dim. 0, 18x0, 10 m. Paris, National Museum of the Middle Ages, Thermes de Cluny); Photo eLeonard de Selva; out of copyright

Media ID 22872194

© Leonard de Selva / Bridgeman Images

10 10th 10th X 10th Century Byzantine Ivory Sacre Aureole


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EDITORS COMMENTS
This print showcases a remarkable piece of Byzantine art: a binding plate depicting Jesus Christ crowning Emperor Otton II and his wife Princess Theophano Skleraina. Crafted from elephant ivory, this exquisite sculpture dates back to the 10th century and measures 0.18x0.10 meters. The image captures the intricate details of this sacred artwork, highlighting the skillful carving and delicate craftsmanship that went into its creation. Jesus Christ is depicted with an aureole, symbolizing his divinity, as he places a crown on Emperor Otton II's head while standing beside his wife, Princess Theophano Skleraina. This artwork not only reflects the artistic prowess of the Byzantine era but also offers insight into the religious and political dynamics of that time. It represents the close relationship between religion and monarchy during this period, where rulers sought divine legitimacy for their reigns. Currently housed in Paris' National Museum of the Middle Ages at Thermes de Cluny, this binding plate serves as a testament to both historical significance and artistic excellence. Its presence in such esteemed surroundings further enhances its value as an invaluable artifact from one of history's most influential civilizations. Through Leonard de Selva's expert photography skills, viewers are able to appreciate every intricate detail of this masterpiece from afar or up close—a true celebration of Byzantine artistry at its finest.

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