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Lopburi style: abhyamudra buddha (sculpture, 12th-14th century)
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Lopburi style: abhyamudra buddha (sculpture, 12th-14th century)
LRI4630229 Lopburi style: abhyamudra buddha (sculpture, 12th-14th century) by Siamese School; Museo d Arte Orientale Edoardo Chiossone, Genoa, Italy; (add.info.: Siamese art, Lopburi style (Lop buri): Buddha in position abhyamudra 12th-14th century (Siamese art, Lopburi style: abhyamudra buddha, 12th-14th century) Museo d Arte Orientale Edoardo Chiossone, Genes); Luisa Ricciarini; Thai, out of copyright
Media ID 22848324
© Luisa Ricciarini / Bridgeman Images
Buddha Buddhism Buddhist Thai Thailand 12 12th 12th Xii 12th 13th Century Asian Asian
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EDITORS COMMENTS
This print showcases a remarkable sculpture known as the "Lopburi style: abhyamudra buddha". Created by the Siamese School during the 12th to 14th century, this piece is currently housed in the Museo d Arte Orientale Edoardo Chiossone in Genoa, Italy. The Lopburi style of Siamese art is beautifully exemplified in this Buddha sculpture, depicting him in the abhyamudra position. This particular posture symbolizes fearlessness and protection, reflecting the essence of Buddhism. Crafted from metal and bronze, this artwork exudes an aura of divinity and spirituality. The intricate carving details on its surface further enhance its aesthetic appeal. As one gazes upon it, they are transported back to ancient Thailand where Buddhist traditions flourished. With its rich historical significance dating back centuries ago, this sculpture serves as a testament to Thai culture and religious beliefs. Its presence evokes a sense of reverence and tranquility for those who encounter it. Photographer Luisa Ricciarini has masterfully captured every nuance of this masterpiece through her lens. Her expertise allows viewers to appreciate not only the artistry but also the cultural heritage preserved within each brushstroke or chisel mark. As we admire this photograph print today, we pay homage to both artist and subject alike - celebrating their contributions to our collective understanding of Asian art history.
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