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View of the panels of the closed altarpiece, depicting the Annunciation and saints

View of the panels of the closed altarpiece, depicting the Annunciation and saints


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View of the panels of the closed altarpiece, depicting the Annunciation and saints

XIR344043 View of the panels of the closed altarpiece, depicting the Annunciation and saints, 1460-66 (oil on panel) by Weyden, Rogier van der (1399-1464) (attr. to); 280 (closed) cm; Eglise de Saint-Martin, Ambierle, France; (add.info.: features: angel making the Annunciation to the Virgin Mary, and (left to right) Saint Anne carrying the infant Mary who herself holds the baby Jesus, Saint Catherine of Alexandria, Saint Martha taming the Tarasque and Saint Martin, patron of the Church at Ambierle in the robes of a bishop, 1460-66 (oil on panel) view of the panels of the closed altarpiece; Retable de la Passion; the Tarsque was a monster that devastated the country in the Provence area; saint Martha tamed the dragon with hymns and prayers; legend similar to Beauty and the Beast; la Belle et la Bete; ); Flemish, out of copyright

Media ID 12862365

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Grisaille Lilies Lily Polyptych Reredos


EDITORS COMMENTS
This print showcases the intricate details of a closed altarpiece, painted by the renowned Flemish artist Rogier van der Weyden. Titled "View of the panels of the closed altarpiece, depicting the Annunciation and saints" this masterpiece dates back to 1460-66 and is currently housed in Eglise de Saint-Martin in Ambierle, France. The central panel portrays an angel gracefully delivering the momentous news of the Annunciation to the Virgin Mary. Surrounding them are various saints who add depth and symbolism to this religious composition. On the left side stands Saint Anne, cradling her daughter Mary who holds baby Jesus tenderly. To their right is Saint Catherine of Alexandria, known for her wisdom and martyrdom. Next to her is Saint Martha taming a fearsome creature called Tarasque with hymns and prayers. Lastly, we see Saint Martin dressed as a bishop, representing his patronage over Ambierle's church. The use of oil on panel technique brings out exquisite details in this polyptych artwork. The grayscale palette enhances its timeless beauty while lilies symbolize purity and devotion throughout Christian art history. This print not only captures van der Weyden's exceptional talent but also offers viewers a glimpse into medieval religious iconography that continues to inspire awe today.

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