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I come, like Themistocle, to sit at the home of the British people words of Napoleon I
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I come, like Themistocle, to sit at the home of the British people words of Napoleon I
XEE4191189 I come, like Themistocle, to sit at the home of the British people words of Napoleon I Bonaparte (1769-1821) in a melancholic attitude in exile on a rock of St. Helene Island. Illustration of Job (Jacques Marie Gaston Onfray and Breville) (Jacques-Marie) (1858-1931) for the book " Les grands mots historiques du pays de France" 1915. Privee Collection. by Job, pseudonym for Onfray de Breville, Jacques (1858-1931); Private Collection; (add.info.: I come, like Themistocle, to sit at the home of the British people words of Napoleon I Bonaparte (1769-1821) in a melancholic attitude in exile on a rock of St. Helene Island. Illustration of Job (Jacques Marie Gaston Onfray and Breville) (Jacques-Marie) (1858-1931) for the book " Les grands mots historiques du pays de France" 1915. Privee Collection.); Stefano Bianchetti; French, out of copyright
Media ID 23702834
© Stefano Bianchetti / Bridgeman Images
Exile Grayling Helena Island Loneliness Napoleon I 1st 1st Bonaparte 1769 1821 Pansy
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EDITORS COMMENTS
The captivating print captures the melancholic essence of Napoleon I Bonaparte during his exile on St. Helena Island. In this poignant illustration by Job (Jacques Marie Gaston Onfray and Breville), we see Napoleon seated on a rock, reminiscent of Themistocles seeking solace in the home of the British people. The image evokes a sense of nightfall, with shades of gray enveloping the scene as if mirroring Napoleon's solitude. The moon shines down upon him, casting an ethereal glow that accentuates his somber expression. His posture exudes both resignation and longing, as he contemplates his fate far away from his beloved France. The artist skillfully portrays Napoleon's isolation through carefully crafted details such as the barren landscape and absence of any other human presence. This powerful depiction not only captures the physicality of exile but also delves into the depths of emotions experienced by one who was once at the pinnacle of power. It serves as a reminder that even great leaders are not immune to vulnerability and introspection. As viewers gaze upon this artwork, they cannot help but feel a sense of empathy for Napoleon's plight. The image invites contemplation on themes such as loss, regret, and resilience in adversity – universal experiences that transcend time and place. In "Les grands mots historiques du pays de France" published in 1915, this illustration stands out among others for its ability to convey complex emotions through simple yet profound imagery. A true testament to Job's artistic prowess and Stefano Bianchetti's masterful reproduction techniques.
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