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Caricature of the first Impressionist Exhibition in Paris, Revolution in Painting
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Caricature of the first Impressionist Exhibition in Paris, Revolution in Painting
CHT164327 Caricature of the first Impressionist Exhibition in Paris, Revolution in Painting! And a terrorizing beginning, 1874 (engraving) (b/w photo) by Cham (Amedee Charles Henri de Noe) (1818-79); Bibliotheque Nationale, Paris, France; (add.info.: Exposition des impressionnistes, Une revolution en peinture ! Et qui debute en faisant de la terreur ; ); eArchives Charmet; French, out of copyright
Media ID 22930628
© Archives Charmet / Bridgeman Images
Afraid Avant Garde Criticism Disgusted Frightening Horror Modern Modernity Reactionary Revolutionary Scandal Shock Shocked Third Republic Satiric
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EDITORS COMMENTS
This print captures the essence of the first Impressionist Exhibition in Paris, aptly titled "Revolution in Painting". Created by Cham (Amedee Charles Henri de Noe) in 1874, this engraving showcases a momentous event that shook the art world to its core. The image portrays a scene filled with scandal and avant-garde energy. The viewer is immediately drawn to the expressions on the faces of those depicted - disgust, shock, fear, and even horror are palpable. It is evident that this exhibition challenged traditional artistic norms and provoked strong reactions from both critics and spectators. As one delves deeper into the details of this caricature, it becomes apparent that it represents more than just an art movement; it symbolizes a rebellion against societal expectations. The artists featured were part of a revolutionary wave seeking to break free from established conventions. The cartoon-like nature of Cham's work adds an element of satire to this powerful image. It serves as a critique not only on conservative attitudes towards modernity but also on the reactionary forces within society during France's Third Republic. In capturing this pivotal moment in art history, Cham has immortalized not only the birth of Impressionism but also its tumultuous beginnings. This print invites us to reflect upon how groundbreaking movements can often be met with resistance and fear before ultimately reshaping our understanding of beauty and creativity.
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