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Habib Al-Siyar, Volume 3, Qazwin, Iran, Safavid period, 1579-80 (opaque watercolour
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Habib Al-Siyar, Volume 3, Qazwin, Iran, Safavid period, 1579-80 (opaque watercolour
FSG348693 Habib Al-Siyar, Volume 3, Qazwin, Iran, Safavid period, 1579-80 (opaque watercolour, ink and gold on paper) by Persian School, (16th century); 38.4 x 24.7 cm; Arthur M. Sackler Gallery, Smithsonian Institution, USA; (add.info.: Diya uddin Muhammad al-Akrami (1370-1506); Mirza Abu Talib ibn Mirza Ala uddawla; ); Arthur M. Sackler Gallery, Smithsonian Institution; Smithsonian Unrestricted Trust Funds, Smithsonian; Persian, out of copyright
Media ID 22913120
© Arthur M. Sackler Gallery, Smithsonian Institution Smithsonian Unrestricted Trust Funds, Smithsonian / Bridgeman Images
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EDITORS COMMENTS
This print showcases the exquisite artwork of "Habib Al-Siyar, Volume 3" from Qazwin, Iran during the Safavid period in 1579-80. Created by the Persian School in the 16th century, this masterpiece measures 38.4 x 24.7 cm and is currently housed at the Arthur M. Sackler Gallery within the Smithsonian Institution in the USA. The painting itself is a stunning example of opaque watercolor, ink, and gold on paper. Its intricate details and vibrant colors transport viewers back to a time when calligraphy and illumination were highly revered forms of artistic expression. The manuscript's rich history can be traced back to its creators: Diya uddin Muhammad al-Akrami (1370-1506) and Mirza Abu Talib ibn Mirza Ala uddawla. The delicate arabic handwriting beautifully complements the decorative elements found throughout this piece. As we admire this remarkable work of art, it serves as a reminder of how art has transcended time and cultural boundaries to become an integral part of our shared human experience. This photograph captures not only its visual beauty but also provides us with a glimpse into an era where creativity flourished amidst historical significance. Thanks to Bridgeman Images' dedication to preserving fine art through photography, we are able to appreciate these masterpieces even if we cannot physically visit them ourselves.
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