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K inich Kan Bahlam II, from Temple XVII, Palenque, Chiapas, Mexico
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K inich Kan Bahlam II, from Temple XVII, Palenque, Chiapas, Mexico
JPC238273 K inich Kan Bahlam II, from Temple XVII, Palenque, Chiapas, Mexico, Late Classic Period (stucco) by Mayan; Museo de Palenque, Chiapas State, Mexico; (add.info.: Panel of the warriors. K inich Kan Bahlam II, also known as Chan Bahlum II (635-702) acceded to the throne in 684 after the death of his father K inich Janaab Pakal I. Ajaw of the Maya city-state of Palenque. Name translates as Radiant Snake Jaguar. Tablet from Temple XVII. Accepting the submission of a captive.); out of copyright
Media ID 22951598
© Bridgeman Images
Captive Dignitary Glyphs Lance Maya Mayan Mesoamerican Pre Columbian Precolumbian Submission Monarch Prisoner
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EDITORS COMMENTS
This print showcases the intricate stucco artwork of K'inich Kan Bahlam II, a prominent Mayan ruler from the Late Classic Period. The image captures a panel of warriors carved on Temple XVII in Palenque, Chiapas, Mexico. K'inich Kan Bahlam II, also known as Chan Bahlum II, ascended to power in 684 AD following his father's death. The sculpture depicts the monarch accepting the submission of a captive with great authority and regality. With a lance in hand and wearing an elaborate headdress adorned with glyphs, K'inich Kan Bahlam II exudes power and dominance. His name translates to "Radiant Snake Jaguar" symbolizing his strength and prowess. The attention to detail in this relief carving is remarkable; every line and curve intricately carved into stone reflects the skillful craftsmanship of the Mayan civilization. This piece serves as a testament to their rich cultural heritage and artistic achievements. Preserved at Museo de Palenque in Chiapas State, Mexico, this historic artifact offers us a glimpse into ancient Mesoamerican society. It reminds us of the complex political dynamics that shaped Mayan city-states like Palenque during this period. Jean Pierre Courau's photograph beautifully captures both the grandeur and significance of this pre-Columbian masterpiece for all art enthusiasts to appreciate.
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