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Cover of "Le Lire", Satirique en Couleurs

Cover of 'Le Lire', Satirique en Couleurs


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Cover of "Le Lire", Satirique en Couleurs

ICA4866226 Cover of " Le Lire", Satirique en Couleurs, 1913_6_28: A review of Spithead - England Great Britain, President of the Republic, Hat - Poinsare Raymond, George V - Illustration by Charles Leandre (1862-1934) by Leandre, Charles (1862-1934); (add.info.: Cover of " Le Lire", Satirique en Couleurs, 1913_6_28: A review of Spithead - England Great Britain, President of the Republic, Hat - Poinsare Raymond, George V - Illustration by Charles Leandre (1862-1934)); Photo eCaricadoc; French, out of copyright

Media ID 22827242

© Caricadoc / Bridgeman Images

George V 1865 1936 International Relations Long View Observation Punched Raymond 1860 1934 A Journal Caricadoc


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EDITORS COMMENTS
This print showcases the cover of "Le Lire", a satirical magazine from 1913. The illustration, created by Charles Leandre, depicts a review of Spithead in England, focusing on the President of the Republic and George V. This political caricature captures the essence of international relations between France and Great Britain during that time. The image portrays an intricate scene filled with symbolism and wit. Leandre's artistic talent is evident in his attention to detail and clever use of color. The engraving highlights key figures such as Poinsare Raymond wearing a distinctive hat, representing his role as President of the Republic, while George V stands tall beside him. As we delve into this historical snapshot, it becomes clear that this artwork was not just a simple cartoon but rather an insightful commentary on politics and power dynamics. The long view perspective allows us to observe every aspect carefully – from the expressions on each character's face to their body language. This piece serves as a reminder of how art can transcend time and provide valuable insights into our past. It offers us a glimpse into early 20th-century France and its relationship with England through satire and humor. Overall, this print is both visually stunning and intellectually stimulating for those interested in political history or French artistry at its finest.

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