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Cover of "The Laughter", Satirique en Colours
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Cover of "The Laughter", Satirique en Colours
ICA4839108 Cover of " The Laughter", Satirique en Colours, 1898_10_15: See how the air of the countryside has benefited him well - Natalisme Natalite Illustration by Abel Faivre (1867-1945) by Faivre, Jules Abel (1867-1945); (add.info.: Cover of " The Laughter", Satirique en Colours, 1898_10_15: See how the air of the countryside has benefited him well - Natalisme Natalite Illustration by Abel Faivre (1867-1945)); Photo eCaricadoc; French, out of copyright
Media ID 22561884
© Caricadoc / Bridgeman Images
Birth Morals Pregnancy Pregnant Woman A Journal Caricadoc Journalism Newspapers
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EDITORS COMMENTS
This print showcases the cover of "The Laughter", a satirical magazine from 1898. The illustration, created by Abel Faivre, depicts a scene filled with whimsy and social commentary. In the foreground, we see a baby girl surrounded by her pregnant mother and an enchanting countryside backdrop. The caption humorously suggests that the fresh country air has greatly benefited the child's well-being. The artwork is rich in symbolism, highlighting the concept of natalism and its impact on society. Natalism refers to policies or beliefs that promote population growth through encouraging childbirth. This theme is cleverly portrayed through caricatured figures and exaggerated features. "The Laughter" was known for its thought-provoking content, addressing various aspects of French society during this time period. It delved into topics such as health, family values, morals, and birth rates - all crucial elements shaping societal norms. As we delve into this historical artifact captured by eCaricadoc photography studio, we are transported back to 19th-century France. The engraving serves as a window into an era when newspapers were at their prime in disseminating information and shaping public opinion. This print not only captures artistic brilliance but also offers us valuable insights into past attitudes towards pregnancy and population growth in Europe. It stands as a testament to how art can encapsulate social issues while providing aesthetic pleasure for generations to come.
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