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Saint Raymond Nonnatus, c. 1830 (water-based paint on wood panel)
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Saint Raymond Nonnatus, c. 1830 (water-based paint on wood panel)
BRN195820 Saint Raymond Nonnatus, c. 1830 (water-based paint on wood panel) by Aragon, Jose Rafael (c.1795-1862); 22.9 x 17.8 cm; The Barnes Foundation, Philadelphia, Pennsylvania, USA; (add.info.: San Ramon Nonato from Catalonia born by Caesarean section, his mother having died while giving birth to him. Raymond is the patron saint of childbirth, midwives, children, pregnant women, and priests defending the confidentiality of confession.); eBarnes Foundation; American, out of copyright
Media ID 22215374
© Barnes Foundation / Bridgeman Images
Altar Screen Caribbean Cope Folk Art Latin America Monstrance Naive New Mexico New Spain Primitive Roman Catholic Santero Santo Spanish America Spanish Colonial Monks
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This print showcases the exquisite artwork of "Saint Raymond Nonnatus" by Jose Rafael Aragon, created around 1830. Painted with water-based paint on a wood panel, this piece measures 22.9 x 17.8 cm and is currently housed in The Barnes Foundation in Philadelphia, Pennsylvania. The painting depicts Saint Raymond Nonnatus, a revered figure from Catalonia who was born through Caesarean section after his mother tragically passed away during childbirth. As such, he became the patron saint of childbirth, midwives, children, pregnant women, and priests defending the confidentiality of confession. The image captures the essence of baroque art with its intricate details and vibrant colors. It features various elements associated with Catholicism such as church vestments, a cope worn by priests during religious ceremonies, and a monstrance used to display the Eucharist. With influences from Spanish colonial art prevalent in Latin America and Mexico at that time period, this painting exudes both religious significance and folk art charm. Its naive style adds an element of simplicity yet profound devotion to Saint Raymond Nonnatus. As we admire this remarkable piece of Christian artwork from the nineteenth century, it serves as a reminder of the rich cultural heritage found within religious iconography across different regions throughout history.
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