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Mandragora plant. It is often known as mandrake, 18th century (engraving)

Mandragora plant. It is often known as mandrake, 18th century (engraving)


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Mandragora plant. It is often known as mandrake, 18th century (engraving)

5617290 Mandragora plant. It is often known as mandrake, 18th century (engraving) by Scheuchzer, Johann Jakob (1672-1733); (add.info.: illustration from Physique sacree, ou Histoire-naturelle de la Bible, by Johann Jakob Scheuchzer (1672-1733), 1732-1737); Universal History Archive/UIG

Media ID 27989526

© Universal History Archive/UIG / Bridgeman Images

1737 Johann Jakob Scheuchzer Mandragora Mandrake Physique Sacree Religious Art Scholar C European Economic Community C European Union Swissman


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This 18th-century engraving by Johann Jakob Scheuchzer showcases the enigmatic Mandragora plant, commonly known as mandrake. With intricate details and a touch of mystique, this print transports us back to an era when botanical illustrations were revered for their scientific accuracy and artistic beauty. Scheuchzer's depiction of the Mandragora plant is part of his renowned work "Physique sacree, ou Histoire-naturelle de la Bible" (Sacred Physics or Natural History of the Bible). Published between 1732 and 1737, this ambitious project aimed to explore the natural world through biblical references. The inclusion of the Mandragora plant in this context highlights its significance within religious art and folklore. The mandrake has long been associated with various beliefs and superstitions due to its peculiar appearance. Its forked root often resembles a human figure, leading to legends that it possesses magical properties or even screams when uprooted. In ancient times, it was believed to have aphrodisiac qualities and was used in potions or rituals. Scheuchzer's meticulous attention to detail brings out the essence of this fascinating plant, capturing both its allure and mythical aura. This engraving serves as a testament not only to Scheuchzer's skill as a scholar but also as an artist who sought to merge science with religious narratives. As we gaze upon this historical artwork today, we are reminded of how our understanding of plants has evolved over time while

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