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Portrait of Cristina di Lorena, Grand Duchess of Tuscany, c. 1620 (oil on canvas)
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Portrait of Cristina di Lorena, Grand Duchess of Tuscany, c. 1620 (oil on canvas)
BEN465657 Portrait of Cristina di Lorena, Grand Duchess of Tuscany, c.1620 (oil on canvas) by Tito, Tiberio di (1573-1627); Palazzo Pitti, Florence, Italy; (add.info.: Christina of Lorraine (1565-1637) was a member of the House of Lorraine and Grand Duchess of Tuscany, by marriage; wife of Ferdinando I, Grand Duke of Tuscany (1549-1609); ); Photo eRaffaello Bencini; Italian, out of copyright
Media ID 22921134
© Raffaello Bencini / Bridgeman Images
Austere Devout Formal Pious Regent Sombre Tuscan Widow Christina Of Lorraine Mourning Societies Symbolic
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This portrait captures the essence of Cristina di Lorena, Grand Duchess of Tuscany, in all her regal splendor. Painted by Tito, Tiberio di in 1620, this oil on canvas masterpiece is housed in the prestigious Palazzo Pitti in Florence, Italy. Cristina of Lorraine was a prominent figure within the House of Lorraine and held great influence as the Grand Duchess of Tuscany through her marriage to Ferdinando I. In this portrait, she exudes an air of aristocracy and elegance with her traditional black mourning attire and austere expression. Kneeling beside her is a symbolic arrangement of flowers, representing both her devout religious beliefs and her position as a widow. The presence of a small dog at her side adds an endearing touch to this formal composition. Cristina's somber demeanor reflects not only the loss she has endured but also highlights her role as a powerful female figure within Tuscan society. Her walking stick or cane further emphasizes her authority and strength. As we gaze upon this remarkable painting, we are transported back to 17th-century Italy where aristocracy reigned supreme. It serves as a poignant reminder of the rich history and cultural heritage that defines Europe today.
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