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The Devonshire, or Most Approved Method of Securing Votes
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The Devonshire, or Most Approved Method of Securing Votes
NCO190485 The Devonshire, or Most Approved Method of Securing Votes, published by William Humphrey in 1784 (hand-coloured etching) by Rowlandson, Thomas (1756-1827); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: Georgiana, Duchess of Devonshire (1757-1806).
Possibly a reprint on wove paper, printing & colouring, c.1830.); English, out of copyright
Media ID 22599596
© Bridgeman Images
Approval Buxom Campaigning Commoner Crude Election Electioneering Finery Hanoverian Kissing Licentious Political Satire Scandalous Uncouth Voter Plebian Unchaste Unorthodox
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The Devonshire, or Most Approved Method of Securing Votes
EDITORS COMMENTS
is a captivating and scandalous political satire captured in this hand-coloured etching by Thomas Rowlandson. Published by William Humphrey in 1784, the print offers a satirical commentary on electioneering during the Georgian era. The central figure in the image is Georgiana, Duchess of Devonshire, an influential aristocrat known for her unorthodox campaigning methods. She is depicted embracing a ruffian-like male voter while kissing another commoner's cheek. This portrayal highlights the duchess's willingness to go to any lengths to secure votes for her preferred candidate. Surrounding Georgiana are various characters representing different social classes and political affiliations. The scene captures the licentiousness and scandalous nature of election campaigns at that time, with peasants mingling with aristocrats and finery juxtaposed with uncouth attire. Rowlandson's caricature style adds humor to the composition as he exaggerates physical features and portrays individuals engaging in unchaste behavior. Through his artistry, he conveys both approval and disapproval from voters towards Georgiana's unconventional methods. This engraving serves as a window into Hanoverian society during this period, showcasing the power dynamics between different classes within politics. It also reflects on how elections were influenced not only by policy but also by personal connections and questionable tactics employed by those seeking power. Overall, "The Devonshire" print provides an intriguing glimpse into 18th
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