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The Clock-makers, Paimpol, 1893 (litho on paper)

The Clock-makers, Paimpol, 1893 (litho on paper)


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The Clock-makers, Paimpol, 1893 (litho on paper)

FSG324530 The Clock-makers, Paimpol, 1893 (litho on paper) by Whistler, James Abbott McNeill (1834-1903); 20.2x14.5 cm; Freer Gallery of Art, Smithsonian Institution, USA; Freer Gallery of Art, Smithsonian Institution; Gift of Charles Lang Freer; American, out of copyright

Media ID 23375512

© Freer Gallery of Art, Smithsonian Institution Gift of Charles Lang Freer / Bridgeman Images

Clockmaker Northern France Shopfront Workshop


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The Clock-makers, Paimpol, 1893

EDITORS COMMENTS
is a captivating lithograph on paper by the renowned artist James Abbott McNeill Whistler. This small yet striking print measures 20.2x14.5 cm and can be found in the prestigious Freer Gallery of Art at the Smithsonian Institution in the USA. The artwork transports us to northern France, specifically to Paimpol, where Whistler captures a charming scene from everyday life. The lithograph depicts an exterior view of a clock-maker's workshop nestled within a picturesque shopfront in Brittany. Whistler's attention to detail is evident as he skillfully portrays the intricate workings of clocks displayed in the shop window. The meticulous craftsmanship and precision required for such delicate timepieces are beautifully showcased through his masterful strokes. The composition exudes an atmosphere of tranquility and nostalgia, inviting viewers to step into this quaint world frozen in time. The subtle play of light and shadow adds depth and dimension to the scene, enhancing its overall allure. "The Clock-makers" serves as a testament to Whistler's ability to capture not only physical spaces but also evoke emotions through his artistry. It offers us a glimpse into an era long gone while celebrating the timeless beauty found within traditional crafts. This lithograph stands as both a tribute to skilled artisans and a reminder that even seemingly mundane moments can hold great artistic significance when viewed through discerning eyes like those of James Abbott McNeill Whistler.

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