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Nzappa Zap axe from upper Congo, 1895 (iron and copper)
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Nzappa Zap axe from upper Congo, 1895 (iron and copper)
5926416 A Nzappa Zap axe from upper Congo, 1895 (iron and copper) by Congolese School, (19th century); National Army Museum, London; (add.info.: A Nzappa Zap axe from upper Congo.
This ceremonial axe consists of an iron head with two twisted iron bands and a third middle band decorated with two human faces. The wooden handle is covered with copper. It is of the type usually carried by the chiefs of the Songye people. The human heads on the decoration of the blade are possibly symbolic of subordinate peoples. These axes were held in great esteem and they were usually made by the Nsapo people who had a thriving iron and copper working industry. This example was obtained during the 3rd Ashanti War (1895-1896).); eNational Army Museum; African, out of copyright
Media ID 23665198
© National Army Museum / Bridgeman Images
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EDITORS COMMENTS
This print showcases a Nzappa Zap axe from upper Congo, dating back to 1895. Crafted by the skilled hands of the Congolese School in the 19th century, this ceremonial axe is a true work of art. The iron head features two twisted iron bands and a striking middle band adorned with intricately designed human faces. Its wooden handle is beautifully covered with copper, adding an exquisite touch to its overall appearance. Traditionally carried by chiefs of the Songye people, these axes held great significance within their culture. The human heads depicted on the blade's decoration are believed to symbolize subordinate peoples, further emphasizing the power and authority of those who wielded them. The Nsapo people were renowned for their mastery in working with both iron and copper, making them responsible for creating such esteemed pieces like this one. This particular Nzappa Zap axe was acquired during the 3rd Ashanti War between 1895-1896. Displayed at London's National Army Museum, this artifact offers us a glimpse into African history and craftsmanship that has stood the test of time. It serves as a reminder of the rich cultural heritage found within Upper Congo and highlights how artistry can be intertwined with functionality in ceremonial objects like this remarkable Nzappa Zap axe.
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