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The Nightmare Leaving Two Sleeping Women, 1810 (graphite & w / c on paper)
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The Nightmare Leaving Two Sleeping Women, 1810 (graphite & w / c on paper)
XIR178999 The Nightmare Leaving Two Sleeping Women, 1810 (graphite & w/c on paper) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); Kunsthaus, Zurich, Switzerland; (add.info.: Le cauchemar quittant deux femmes endormies; ); Swiss, out of copyright
Media ID 12744638
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Asleep Disturbed Dream Lesbian Lesbianism Lesbians Personification Pained
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The Nightmare Leaving Two Sleeping Women
EDITORS COMMENTS
is a captivating artwork by Henry Fuseli that depicts a scene filled with mystery and unease. In this graphite and watercolor print, two women lie peacefully asleep in their bedroom, unaware of the dark presence lurking above them. The focal point of the composition is a horse-like creature with fiery eyes and wild mane, representing the embodiment of nightmares. It hovers over one woman's chest as if suffocating her dreams, while its long neck extends towards the other woman who appears to be disturbed by its presence. The contrast between light and shadow intensifies the eerie atmosphere, enhancing our sense of discomfort. Fuseli's painting has been subject to various interpretations throughout history. Some suggest that it explores themes of sexuality and desire, as evidenced by the subtle suggestion of lesbianism through physical proximity and shared vulnerability. Others view it as an allegory for psychological turmoil or suppressed emotions breaking free during sleep. Regardless of its meaning, "The Nightmare Leaving Two Sleeping Women" continues to captivate viewers with its haunting imagery and masterful execution. This particular print from Kunsthaus Zurich allows us to appreciate Fuseli's meticulous use of graphite combined with delicate watercolors on paper. As we gaze upon this intriguing artwork, we are reminded that even in moments of tranquility, darkness can creep into our lives unexpectedly – whether in our dreams or waking hours – leaving us unsettled and questioning what lies beneath the surface.
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