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The Annunciation (etching, engraving & drypoint on yellow silk taffeta)

The Annunciation (etching, engraving & drypoint on yellow silk taffeta)


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The Annunciation (etching, engraving & drypoint on yellow silk taffeta)

CTS412307 The Annunciation (etching, engraving & drypoint on yellow silk taffeta) by Barocci or Baroccio, Federico Fiori (c.1535-1612); 44.2x31 cm; eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; Italian, out of copyright

Media ID 23247702

© Reproduced by permission of Chatsworth Settlement Trustees / Bridgeman Images

Announcement Announcing Archangel Gabriel Mannerism Mannerist Visitation


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> Historic > Renaissance art

> Italian renaissance art

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EDITORS COMMENTS
This print showcases "The Annunciation" by Federico Fiori Barocci, a renowned Italian artist from the 16th century. The artwork, created using etching, engraving, and drypoint techniques on yellow silk taffeta, measures 44.2x31 cm and is part of The Devonshire Collections at Chatsworth. In this stunning piece, we witness the pivotal moment when Archangel Gabriel kneels before the Virgin Mary to deliver the divine message of her impending motherhood. Barocci's meticulous attention to detail is evident in every stroke as he captures the angel's majestic wings and Mary's serene expression during this sacred visitation. "The Annunciation" exemplifies mannerism, a style characterized by elongated figures and exaggerated poses that emerged during the Renaissance period. Barocci masterfully combines elements of both Renaissance and Mannerist art to create a harmonious composition that exudes grace and beauty. As we delve into this remarkable print, we are transported back in time to experience the profound announcement made by Gabriel himself. The delicate lines and intricate textures invite us to study each element with awe-inspiring fascination. Through Bridgeman Images' reproduction of this timeless masterpiece from Fine Art Finder, we have the privilege of admiring Barocci's genius while appreciating his contribution to art history during an era marked by spiritual devotion and artistic innovation.

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