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L Assiette au Beurre, number 38, Satirique en couleurs, 1901_12_21: President of the Republic - Deschanel Paul (lithograph)
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L Assiette au Beurre, number 38, Satirique en couleurs, 1901_12_21: President of the Republic - Deschanel Paul (lithograph)
ICA4875862 L Assiette au Beurre, number 38, Satirique en couleurs, 1901_12_21: President of the Republic - Deschanel Paul (lithograph) by Camara, Leal de (1877-1948); (add.info.: L Plate au beurre, number 38, Satirique en couleurs, 1901_12_21: President of the Republic - Deschanel Paul - Illustration by Leal de Camara (1877-1948)); Photo © Caricadoc
Media ID 25135318
© Caricadoc / Bridgeman Images
Deschanel Paul 1855 1922 Caricadoc
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This lithograph, titled "L'Assiette au Beurre, number 38, Satirique en couleurs, 1901_12_21: President of the Republic - Deschanel Paul" captures a moment in French political history with striking detail and satirical flair. Created by Leal de Camara in 1901, this artwork offers a glimpse into the world of caricature and press during the early years of the 20th century. The central figure depicted is none other than Paul Deschanel, who served as the President of the French Republic from February to September 1920. Known for his eccentric behavior and tumultuous presidency, Deschanel's larger-than-life personality is brilliantly captured in this engraving. Leal de Camara skillfully portrays Deschanel's distinctive features through exaggerated lines and bold colors. The artist's keen eye for detail brings out every nuance of expression on Deschanel's face – from his furrowed brow to his mischievous smile. Through this artwork, we are transported back to a time when political satire played an essential role in shaping public opinion. It serves as a reminder that even powerful statesmen like Deschanel were not immune to criticism or mockery. As we gaze upon this lithograph today, it serves as both an artistic masterpiece and a historical artifact. It allows us to reflect on the complex relationship between politics and art while appreciating Leal de Camara's talent for capturing character through
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