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View of Ghimri and Portrait of Hadji-Mourad, plate 66 from a book on the Caucasus

View of Ghimri and Portrait of Hadji-Mourad, plate 66 from a book on the Caucasus


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View of Ghimri and Portrait of Hadji-Mourad, plate 66 from a book on the Caucasus

STC188696 View of Ghimri and Portrait of Hadji-Mourad, plate 66 from a book on the Caucasus, engraved by Jules Joseph Augustin Laurens (1825-1901) and Eugene Ciceri (1813-90) by Adolphe Mouilleron (1820-81), published by Alfred Leon Lemercier, Paris, 1847 (litho) by Gagarin, Grigori Grigorevich (1810-93) (after); Private Collection; (add.info.: Leo Tolstoy based his 1904 novella on the true story of this Muslim Tartar warrior who fought with the invading Russians against Imam Shamil and was killed in 1852; ); The Stapleton Collection; Russian, out of copyright

Media ID 22340290

© The Stapleton Collection / Bridgeman Images

Armed Caucasia Dagestan Daghestan Moslem Murad Murat Hadji Haji Mourad Warlord


FEATURES IN THESE COLLECTIONS

> Arts > Artists > C > Eugene Ciceri

> Arts > Artists > D > Alfred > Related Images

> Arts > Artists > L > Alfred Leon Lemercier

> Arts > Artists > L > Jules Joseph Augustin Laurens

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> Arts > Street art graffiti > Portraits > Fine art

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EDITORS COMMENTS
This print titled "View of Ghimri and Portrait of Hadji-Mourad" takes us on a journey to the Caucasus region in the mid-19th century. The image, engraved by Jules Joseph Augustin Laurens and Eugene Ciceri, was originally published in a book by Adolphe Mouilleron in 1847. The photograph showcases the stunning landscape of Ghimri, a mountainous village nestled amidst nature's grandeur. The viewer is transported to this remote corner of Dagestan, where armed men stand proudly as symbols of power and resilience. Among them sits Hadji-Mourad, an imposing figure exuding strength and determination. Hadji-Mourad's portrait captures his commanding presence as a Muslim Tartar warrior who fought alongside Russian forces against Imam Shamil during the turbulent times of war. His story inspired Leo Tolstoy's novella written in 1904. This historical image not only offers us a glimpse into the past but also serves as a testament to the rich cultural tapestry that weaves together different religions and ethnicities within the Caucasus region. It reminds us of the complexities and conflicts that have shaped its history. As we admire this lithograph from Gagarin's collection, we are reminded that art has the power to transport us through time and space, allowing us to connect with stories long gone but never forgotten.

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