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Portrait of Sir Anthony Wingfield (1485?-1552), Knight of the Garter
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Portrait of Sir Anthony Wingfield (1485?-1552), Knight of the Garter
CH130117 Portrait of Sir Anthony Wingfield (1485?-1552), Knight of the Garter, 1541 (oil on canvas) by English School, (16th century); Private Collection; (add.info.: English soldier, politician, courtier and member of parliament. Commissioner for the dissolution of the monasteries; 1513 he was knighted for his part in the capture of Tournai. He attended the Field of the Cloth of Gold in 1520, and served in the 1523 French campaign of Charles Brandon, the Duke of Suffolk; and lastly in the 1544 capture of Boulogne. 1539 Wingfield was a member of the Privy Council and administrator in Henry VIIIs royal household. made a Knight of the Garter on St Georges Day 1541
); Photo eChristies Images; English, out of copyright
Media ID 22790060
© Christie's Images / Bridgeman Images
Chain Order Of The Garter Protestant Reformation St Georges Chapel Windsor
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EDITORS COMMENTS
This portrait print showcases Sir Anthony Wingfield, a prominent figure in 16th-century England. Painted by an anonymous English artist, this oil on canvas masterpiece captures the essence of a man who was not only a knight but also a soldier, politician, courtier, and member of parliament. Sir Anthony Wingfield's distinguished career is evident from his accomplishments. He played an instrumental role as a commissioner for the dissolution of the monasteries and received knighthood for his bravery during the capture of Tournai in 1513. His involvement in significant historical events continued as he attended the prestigious Field of the Cloth of Gold in 1520 and served alongside Charles Brandon, Duke of Suffolk, during the French campaign in 1523. In addition to his military exploits, Wingfield held important positions within Henry VIII's royal household. As a member of the Privy Council and administrator, he wielded influence over crucial decisions during this tumultuous period. The painting portrays Sir Anthony Wingfield as an elderly gentleman with a well-groomed beard wearing an elegant cloak adorned with symbols representing his membership in the Order of the Garter. The attention to detail is remarkable; every brushstroke brings out his dignified presence. This print offers us a glimpse into Tudor-era England while honoring one man's remarkable achievements. It serves as both artistry and historical documentation—a testament to Sir Anthony Wingfield's enduring legacy within British history.
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