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Ms Fr 2629 fol. 300 The Countess of Jaffa (c. 1136-88) crowning Guy of Lusignan (d

Ms Fr 2629 fol. 300 The Countess of Jaffa (c. 1136-88) crowning Guy of Lusignan (d


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Ms Fr 2629 fol. 300 The Countess of Jaffa (c. 1136-88) crowning Guy of Lusignan (d

BNP159911 Ms Fr 2629 fol.300 The Countess of Jaffa (c.1136-88) crowning Guy of Lusignan (d.1194) from the Histoire de la conquete de Jerusalem by William of Tyre (c.1130-85) c.1470 (vellum) by French School, (15th century); Bibliotheque Nationale, Paris, France; (add.info.: La comtesse de Jaffa couronne Gui de Lusignan; History of the Conquest of Jerusalem; married to Almaric, Count of Ascalon and Jaffa; Guy is her son in law, married to her daughter Sibylla; ); eBibliotheque Nationale, Paris; French, out of copyright

Media ID 22350964

© Bibliotheque Nationale, Paris / Bridgeman Images

Bishop Coronation Crosse Crozier Ermine Guillaume De Tyr Mitre Monks Religious Orders


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EDITORS COMMENTS
In this photo print, we are transported back in time to witness a momentous event from the pages of history. The image depicts "Ms Fr 2629 fol. 300 The Countess of Jaffa (c. 1136-88) crowning Guy of Lusignan (d. 1194)" as captured by the French School in the 15th century. The scene unfolds within the grandeur of a medieval court, where an air of anticipation fills the space. Standing at the center is the regal figure of The Countess of Jaffa, adorned in luxurious ermine robes and holding a magnificent crown in her hands. With grace and authority, she places this symbol of power upon Guy's head, signifying his ascension to greatness. Surrounding them are various figures representing religious orders and clergy members who bear witness to this sacred ceremony. A bishop stands tall with his crosse and mitre while monks clad in humble robes offer their blessings from afar. This historical moment holds significant meaning for both individuals involved - The Countess being married to Almaric, Count of Ascalon and Jaffa, while Guy is her son-in-law through his marriage to her daughter Sibylla. Through this remarkable artwork preserved on vellum by William Tyre around 1470, we gain insight into a pivotal chapter in Jerusalem's conquest history. It serves as a testament to the intricate tapestry woven between religion, politics, and family ties during

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