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The Credo, Panel IV: The Remission of Sins, Ezekiels Vision of the Dry Bones and St
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The Credo, Panel IV: The Remission of Sins, Ezekiels Vision of the Dry Bones and St
XIR414039 The Credo, Panel IV: The Remission of Sins, Ezekiels Vision of the Dry Bones and St. Johns Vision of Jerusalem, 1587 (wood) (see also 414036-8) by French School, (16th century); Musee National de la Renaissance, Ecouen, France; (add.info.: The Creed, Panel IV: Resurrection of the flesh (Vision of the Desseches Bones by Ezechiel), Eternal Life (Vision of the Celestial Jerusalem by Saint John); ); French, out of copyright
Media ID 22674954
© Bridgeman Images
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EDITORS COMMENTS
The captivating print showcases "The Credo, Panel IV: The Remission of Sins, Ezekiels Vision of the Dry Bones and St. Johns Vision of Jerusalem" a remarkable wood carving from the 16th century by the French School. Housed in the Musee National de la Renaissance in Ecouen, France, this artwork is a testament to the skill and creativity of its creator. Intricately carved into wood, this panel depicts two significant visions from biblical texts. On one side, we see Ezekiel's vision of dry bones coming back to life—a powerful symbol of resurrection and redemption. On the other side, Saint John's vision reveals an ethereal celestial Jerusalem—an image that represents eternal life. The attention to detail in this relief sculpture is truly awe-inspiring. From the meticulously crafted landscapes to the delicate rendering of angels and disciples, every element tells a story within itself. The juxtaposition between male and female figures further adds depth to these divine narratives. As we gaze upon this artwork, we are transported back in time—immersed in a world where heavenly visions merge with earthly existence. It serves as a reminder of faith's power to transcend boundaries and offer hope even amidst desolation. This print captures not only the beauty but also the profound spiritual significance embedded within "The Credo". Its timeless appeal continues to inspire viewers today as it did centuries ago when it was first created by anonymous hands under French skies.
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