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Ash Wednesday. Down with masks (colour litho)

Ash Wednesday. Down with masks (colour litho)


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Ash Wednesday. Down with masks (colour litho)

2818367 Ash Wednesday. Down with masks (colour litho) by Meyer, Henri (1841-99) (after); Private Collection; (add.info.: Ash Wednesday. Down with masks. Satire on the state of French public life. Le Mercredi des cendres. A bas les masques! Illustration for Le Petit Journal, 18 February 1893.); © Look and Learn

Media ID 22705284

© Look and Learn / Bridgeman Images

Disguises Disillusionment False Judge Masks Scandal Ash Wednesday Phony


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Ash Wednesday. Down with masks

EDITORS COMMENTS
is a captivating and thought-provoking print that captures the essence of French public life in the 19th century. Created by Henri Meyer, this colour lithograph serves as a scathing satire on the state of French society during Ash Wednesday, a day traditionally associated with repentance and reflection. The image portrays individuals wearing elaborate costumes and disguises, symbolizing the false personas they adopt to navigate through political circles. The artist's keen eye for detail highlights the disillusionment prevalent in French politics at that time. Each character's mask represents their hidden agendas and deceitful nature, creating an atmosphere of intrigue and duplicity. Meyer's caricatured figures include judges, politicians, and other prominent personalities who are meant to represent different facets of French society. Through his satirical lens, he exposes the hypocrisy within these institutions while shedding light on the corrupt practices that plagued them. This print not only showcases Meyer's artistic talent but also reflects his deep understanding of societal issues. It serves as a powerful reminder that even though times may change, human nature remains constant – prone to deception and manipulation for personal gain. As we observe "Ash Wednesday. Down with masks" we are reminded of our own responsibility to question those in power and challenge their motives behind their carefully crafted facades. This timeless piece invites us to reflect upon our own roles within society while urging us to unmask falsehoods wherever they may be found.

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