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Vanity of Vanities, All is Vanity, after 1800 (engraving)
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Vanity of Vanities, All is Vanity, after 1800 (engraving)
2604220 Vanity of Vanities, All is Vanity, after 1800 (engraving) by Langlois, Eustache Hyacinthe (1777-1837); Private Collection; (add.info.: This scatological (obscene, especially about excrement) cartoon from after 1800 by Eustache Hyacinthe Langlois (1777-1837) satirizes the idea that all humans are the same in nature or all classes of society shit the same !
The main title is Vanitas Vanitatum et omnia vanitas (Vanity of vanities, all is vanity) and the words from the Old Testament Book of Job are Who can bring a clean thing out of an unclean? ); French, out of copyright
Media ID 22618852
© Bridgeman Images
Class Classes Crouching Defecating Dirty Excrement Obscene Toilet Urinating Urination Urine Vanity Defecation Excreting Human Nature Unclean
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EDITORS COMMENTS
This intriguing engraving by Eustache Hyacinthe Langlois, titled "Vanity of Vanities, All is Vanity" offers a scatological and satirical commentary on the nature of humanity and social classes. Created after 1800, this cartoon challenges the notion that all humans are equal in their essence or that different societal classes are indistinguishable. The central theme revolves around the concept of vanity, as depicted through various elements within the artwork. The main title draws inspiration from the Old Testament Book of Job, questioning whether it is possible to bring forth purity from impurity. Langlois cleverly uses imagery related to bodily functions such as excrement and urine to convey his message. The composition features a diverse range of characters including soldiers, poor individuals, royals, and even religious figures like popes. They are shown crouching in a toilet-like setting while engaging in acts associated with defecation and urination. This juxtaposition highlights how these bodily functions transcend social boundaries and affect everyone equally. Langlois' intention seems to be mocking the idea that societal hierarchies can shield individuals from basic human experiences or biological necessities. By using humorously obscene visuals combined with thought-provoking symbolism, he challenges viewers to reflect on their own preconceived notions about class distinctions and human nature. Overall, this print serves as a powerful reminder that beneath our external differences lie shared vulnerabilities and fundamental aspects of being human – regardless of one's position in society.
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