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The famous Martincho (probably Antonio Ebassum) places the banderillas, playing the bull with the movement of his body, plate 15 of The Art of Bullfighting, pub. 1816 (etching)

The famous Martincho (probably Antonio Ebassum) places the banderillas, playing the bull with the movement of his body, plate 15 of The Art of Bullfighting, pub. 1816 (etching)


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The famous Martincho (probably Antonio Ebassum) places the banderillas, playing the bull with the movement of his body, plate 15 of The Art of Bullfighting, pub. 1816 (etching)

IND81915 The famous Martincho (probably Antonio Ebassum) places the banderillas, playing the bull with the movement of his body, plate 15 of The Art of Bullfighting, pub. 1816 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.9x35.7 cm; Private Collection; Index Fototeca

Media ID 25902110

© Index Fototeca / Bridgeman Images

Bull Francisco De Goya Francisco Jose De 1746 1828 Francisco José De Goya Y Lucientes Goya Goya Francisco De 1746 1828 Goya Y Lucientes La Tauromaquia Lance Matador Moratin Ring Torero


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EDITORS COMMENTS
This black and white etching, titled "The famous Martincho (probably Antonio Ebassum) places the banderillas, playing the bull with the movement of his body" is a remarkable piece from Francisco Jose de Goya y Lucientes' renowned series, The Art of Bullfighting. Published in 1816, this print showcases Goya's exceptional talent for capturing the intensity and drama of this traditional Spanish spectacle. In plate 15, we witness Martincho skillfully placing the banderillas on the charging bull while using his body movements to control its direction. Goya masterfully portrays every detail - from Martincho's focused expression to the powerful stance of both man and beast. The artist's use of light and shadow adds depth and dimension to this dynamic scene. Goya was known for his ability to depict human emotions realistically, which is evident in this artwork as well. We can almost feel Martincho's adrenaline rush as he engages in this dangerous dance with death. The intense energy emanating from the image draws us into the heart-pounding world of bullfighting. This etching serves as a testament to Goya's artistic genius and his fascination with Spain's cultural traditions. It captures not only a moment frozen in time but also reflects upon themes such as bravery, skill, and mortality that are inherent within bullfighting. As an iconic work by one of Spain's most celebrated artists, it continues to captivate audiences worldwide with its timeless depiction of courage intertwined with

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Related Images


MYTHOLOGY: HELEN OF TROY. Oil on canvas by Henri Fantin-Latour, 1892
MYTHOLOGY: HELEN OF TROY. Oil on canvas by Henri Fantin-Latour, 1892
SPAIN: BULLFIGHTING, 1891. Decorating with banderillas at Madrid, Spain. Line drawing
SPAIN: BULLFIGHTING, 1891. Decorating with banderillas at Madrid, Spain. Line drawing
The Moors make a different play in the ring with their burnous, plate 6 of The Art of Bullfighting, pub. 1816 (etching)
The Moors make a different play in the ring with their burnous, plate 6 of The Art of Bullfighting, pub. 1816 (etching)
A Spanish mounted knight in the ring breaking short spears without the help of assistants, plate 13 of The Art of Bullfighting, pub. 1816 (etching)
A Spanish mounted knight in the ring breaking short spears without the help of assistants, plate 13 of The Art of Bullfighting, pub. 1816 (etching)

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