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Naturel de la cote de Mozambique, d apres Prichard (engraving)

Naturel de la cote de Mozambique, d apres Prichard (engraving)


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Naturel de la cote de Mozambique, d apres Prichard (engraving)

3635681 Naturel de la cote de Mozambique, d apres Prichard (engraving) by European School, (19th century); Private Collection; (add.info.: Naturel de la cote de Mozambique, d apres Prichard. Illustration for Les Races Humaines by Louis Figuier (Hachette, 1872). Digitally cleaned image.); © Look and Learn

Media ID 22976560

© Look and Learn / Bridgeman Images

Beings Cote D Apres Dapres Differences Ethnological Ethnology Humanity Mozambique Races Racial Stereotype Stereotypes Type Types Natives Naturel Prichard


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EDITORS COMMENTS
This print titled "Naturel de la cote de Mozambique, d apres Prichard" takes us on a visual journey to the 19th century. Created by an anonymous European School artist, this engraving is part of a private collection and showcases the rich diversity of humanity. The image depicts a native individual from the coast of Mozambique, as observed by Prichard. It was originally featured in Louis Figuier's book "Les Races Humaines" published by Hachette in 1872. This digitally cleaned version allows us to appreciate the intricate details and nuances captured in this ethnological study. Through this artwork, we are reminded of the significance of understanding different racial types and their cultural backgrounds. The illustration serves as a reminder that humanity encompasses various ethnicities and traditions, each with its own unique characteristics. While it is important not to perpetuate stereotypes or use these images for commercial purposes, we can appreciate the historical value they hold. Bridgeman Images has preserved this piece as part of their Fine Art Finder collection, providing an opportunity for art enthusiasts to explore diverse representations within ethnology. As we gaze upon this mesmerizing print, let us reflect on our shared humanity while celebrating the beauty found in our differences.

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