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The king of France Charles VIII entered in Florence in november 1494 (Painting
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The king of France Charles VIII entered in Florence in november 1494 (Painting
LRI4576677 The king of France Charles VIII entered in Florence in november 1494 (Painting, 15th-16th century) by Granacci, Francesco (1477-1543); Palazzo Medici-Riccardi, Florence, Italy; (add.info.: First Italian War (1494-1498) " Entreee du roi de france Charles VIII (1470-1498) A Florence en novembre 1494" (Italian War of 1494-1498: the king of France Charles VIII entered in Florence in november 1494) Painting by Francesco Granacci (1469-1543) Florence, museo mediceo); Luisa Ricciarini; Italian, out of copyright
Media ID 23326128
© Luisa Ricciarini / Bridgeman Images
Charles Viii 8 1470 1498 Valois Family Cinquecento Quattrocento
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EDITORS COMMENTS
The captivating painting, "The king of France Charles VIII entered in Florence in November 1494" by Francesco Granacci, transports viewers back to a significant moment in history. The artwork depicts the grand entrance of King Charles VIII into the enchanting city of Florence during the First Italian War. In this mesmerizing piece, Granacci skillfully captures the essence of Renaissance art with his meticulous attention to detail and vibrant use of colors. The viewer is immediately drawn to the imposing figure of King Charles VIII as he leads his army through the streets of Florence. His regal presence is enhanced by his ornate armor and majestic horse, symbolizing power and authority. As we gaze upon this masterpiece, we are transported back to that fateful day in November 1494 when Florence witnessed an extraordinary event. This historical moment marked a turning point for both France and Italy as it set off a series of conflicts known as the Italian Wars. Granacci's painting not only showcases his artistic talent but also serves as a visual reminder of the intricate relationship between politics, power, and art during this tumultuous period. It allows us to reflect on how historical events shape our world today while appreciating the beauty and significance found within each brushstroke.
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