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Pieta (Virgin of Pity). Painting by Giovanni Martino Spanzotti (ca. 1455-1526 or 1528), oil on wood, 15-16th century, Italian art. Museum of Fine Arts Budapest (Hungary)
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Pieta (Virgin of Pity). Painting by Giovanni Martino Spanzotti (ca. 1455-1526 or 1528), oil on wood, 15-16th century, Italian art. Museum of Fine Arts Budapest (Hungary)
LSE4315262 Pieta (Virgin of Pity). Painting by Giovanni Martino Spanzotti (ca. 1455-1526 or 1528), oil on wood, 15-16th century, Italian art. Museum of Fine Arts Budapest (Hungary). by Spanzotti, Giovanni Martino (c.1456-1526/28); Museum of Fine Arts (Szepmuveszeti) Budapest, Hungary; (add.info.: Pieta (Virgin of Pity). Painting by Giovanni Martino Spanzotti (ca. 1455-1526 or 1528), oil on wood, 15-16th century, Italian art. Museum of Fine Arts Budapest (Hungary).); © Leonard de Selva. All rights reserved 2022
Media ID 25181798
© Leonard de Selva. All rights reserved 2022 / Bridgeman Images
Blood Deploration Gold Background Piet And Xe0 Pieta Aureole Cinquecento Early Xv Century Late Xv Century Quattrocento
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This print showcases the renowned painting "Pieta (Virgin of Pity)" by Giovanni Martino Spanzotti, a prominent Italian artist from the 15th to 16th century. Created with oil on wood, this masterpiece is housed in the Museum of Fine Arts Budapest, Hungary. The artwork depicts the sorrowful scene of Virgin Mary cradling the lifeless body of Jesus Christ after his crucifixion. The profound sadness and grief are palpable as Mary's expression reflects her immense pain and loss. The intricate details and skillful brushwork highlight Spanzotti's mastery in capturing human emotions. Set against a backdrop of shimmering gold, which adds an ethereal touch to the composition, this Renaissance-era painting evokes a sense of spirituality and devotion. The aureole surrounding Mary signifies her divine status as she mourns over her son's sacrifice for humanity. Spanzotti's portrayal not only pays homage to biblical characters but also serves as a testament to his artistic prowess during the Quattrocento period. The use of vibrant colors and meticulous attention to detail further enhances its visual impact. This print allows art enthusiasts worldwide to appreciate this significant piece without physically visiting Budapest's Museum of Fine Arts. It serves as a reminder that art has no boundaries and can transcend time, allowing us to connect with historical narratives through visual representation.
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