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The Queens Jubilee Review at Aldershott, Saturday, 9 July, Brecknock and Berks Mounted Infantry marching past (engraving)
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The Queens Jubilee Review at Aldershott, Saturday, 9 July, Brecknock and Berks Mounted Infantry marching past (engraving)
1591261 The Queens Jubilee Review at Aldershott, Saturday, 9 July, Brecknock and Berks Mounted Infantry marching past (engraving) by Overend, William Heysham (1851-98) (after); Private Collection; (add.info.: The Queens Jubilee Review at Aldershott, Saturday, 9 July, Brecknock and Berks Mounted Infantry marching past. Illustration for The Illustrated London News, 16 July 1887.
W H Overend); Look and Learn / Illustrated Papers Collection
Media ID 22989728
© Look and Learn / Illustrated Papers Collection / Bridgeman Images
Aldershot Aldershott Berks Hampshire Marching Military Reviews Mounted Infantry Past Royal Celebrations Brecknock Queen Victoria
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EDITORS COMMENTS
This engraving, titled "The Queens Jubilee Review at Aldershott, Saturday, 9 July, Brecknock and Berks Mounted Infantry marching past" captures a momentous military event during Queen Victoria's jubilee celebrations. Created by the talented artist William Heysham Overend in 1887, this print showcases the grandeur and precision of the Brecknock and Berks Mounted Infantry as they march past with utmost discipline. Set against the backdrop of Aldershott in Hampshire, this historical image transports us back to a time when royal celebrations were marked with pomp and splendor. The mounted infantry soldiers are seen in perfect formation, their uniforms gleaming under the sun as they pay tribute to their beloved queen. Published in The Illustrated London News on July 16th that year, this engraving provides a glimpse into an important chapter of British history. It serves as a testament to Queen Victoria's enduring reign and her influence over her loyal subjects. With its intricate details and meticulous craftsmanship, this print is not only visually stunning but also offers valuable insights into military reviews of that era. As we admire this artwork from Bridgeman Images' private collection today, we can appreciate both its artistic merit and its historical significance.
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