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No life to Lechery, Hugh Peters the first and the last (engraving)

No life to Lechery, Hugh Peters the first and the last (engraving)


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No life to Lechery, Hugh Peters the first and the last (engraving)

606313 No life to Lechery, Hugh Peters the first and the last (engraving) by English School, (17th century); Private Collection; (add.info.: No life to Lechery, Hugh Peters the first and the last); Look and Learn / Peter Jackson Collection

Media ID 23237662

© Look and Learn / Peter Jackson Collection / Bridgeman Images

Blasphemy Heresy Hugh Peters Lechery Rebellion


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> Animals > Mammals > Muridae > Peters Mouse

> Arts > Pop art > Satire > Satirical artwork

> Arts > Realistic drawings > Still life artwork > Life drawings

> Arts > Realistic drawings > Still life drawings > Life drawings

> Fine Art Finder > Artists > English School

> Fine Art Finder > Temp Classification


EDITORS COMMENTS
This intriguing engraving titled "No life to Lechery, Hugh Peters the first and the last" captures a satirical moment from 17th century England. The image showcases a scathing satire on various themes such as lechery, heresy, rebellion, blasphemy, and fashion. The central figure in this caricature is Hugh Peters, an influential English preacher known for his involvement in the political and religious turmoil of that era. Dressed in flamboyant clothing that mocks contemporary fashion trends, Peters is depicted as both a symbol of moral decay and a catalyst for societal unrest. The artist's skillful use of line work brings out every intricate detail of this satirical drawing. From the exaggerated facial expressions to the meticulously crafted garments, each element contributes to the overall message conveyed by this artwork. Through its biting commentary on social vices and religious hypocrisy, "No life to Lechery" serves as a reminder of how art has long been used as a tool for criticism and reflection. This print offers viewers an opportunity to delve into historical context while appreciating the artistic techniques employed by English School artists during this period. Displayed within private collections worldwide, this engraving continues to captivate audiences with its wit and thought-provoking imagery. It stands as evidence that even centuries later, art remains an enduring medium through which society can examine its own values and shortcomings.

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