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Homage to the Queen of Flowers, 1884 (oil on panel)
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Homage to the Queen of Flowers, 1884 (oil on panel)
989310 Homage to the Queen of Flowers, 1884 (oil on panel) by Verlat, Charles (1824-90); 146.8x96.5 cm; Private Collection; (add.info.: Homage to the Queen of Flowers; Homage a la Reine des Fleurs. Charles Verlat (1824-1890). Oil on panel. Painted in 1884. 146.8 x 96.5cm.); Photo eChristies Images; Belgian, out of copyright
Media ID 22307716
© Christie's Images / Bridgeman Images
1880s 1884 Artist Belgian Assorted Assortment Background Belgian Art Belgian Artist Brown Background Cut Flower Flower Arrangement Ground Homage Household Equipment Naturalism Nature Morte One Object Poppies Poppy Realism Realist Roses Scattered Selection Single Object Stilllife Variation Variety White Color Wild Flower Wildflower 19th Century European Art
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Homage to the Queen of Flowers, 1884
EDITORS COMMENTS
is a stunning oil painting by Belgian artist Charles Verlat. This close-up still life composition captures the beauty and variety of nineteenth-century floral arrangements. The vibrant colors and intricate details bring the flowers to life, making them appear almost three-dimensional. In this piece, Verlat pays tribute to the queen of flowers with an assortment of poppies, roses, and wildflowers scattered on a brown background. The white vase holding these blooms stands as a symbol of purity and elegance. Each flower is meticulously painted with realism, showcasing Verlat's skill in capturing nature's delicate intricacies. The artist's attention to detail extends beyond the flowers themselves; even the leaves and stems are rendered with precision. The use of color adds depth and dimension to the composition, creating a visually captivating experience for viewers. Verlat's "Homage to the Queen of Flowers" exemplifies his mastery in portraying still life subjects with finesse and artistry. This late nineteenth-century artwork serves as a testament to his talent as a realist painter. This print from Fine Art Finder allows us to appreciate every brushstroke and nuance in Verlat's masterpiece. It invites us into his studio where we can marvel at this exquisite work firsthand without any distractions or interference from people or commercial elements.
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