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The Philosopher, number 19, 1867_6_2 - Illustration by Charles Gilbert-Martin (1839-1905)
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The Philosopher, number 19, 1867_6_2 - Illustration by Charles Gilbert-Martin (1839-1905)
ICA4942565 The Philosopher, number 19, 1867_6_2 - Illustration by Charles Gilbert-Martin (1839-1905): Censorship, Theatre, Permission Caricature, Tragedie - Janin Jules (1804-1874) by Gilbert-Martin, Charles (1839-1905); (add.info.: The Philosopher, number 19, 1867_6_2 - Illustration by Charles Gilbert-Martin (1839-1905): Censorship, Theatre, Permission Caricature, Tragedie - Janin Jules (1804-1874)); Photo eCaricadoc; French, out of copyright
Media ID 22565648
© Caricadoc / Bridgeman Images
Caricadoc Journalism Newspapers
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The Philosopher, number 19,1867_6_2 - Illustration by Charles Gilbert-Martin (1839-1905) - Censorship, Theatre, Permission Caricature, Tragedie - Janin Jules (1804-1874)
EDITORS COMMENTS
. This print showcases an intriguing illustration by Charles Gilbert-Martin from the late 19th century. Titled "The Philosopher" this artwork delves into the themes of censorship and theater in a thought-provoking manner. In this caricature, we see a portrayal of Janin Jules (1804-1874), a renowned French writer and critic. The artist skillfully captures his essence as he grapples with the complexities of tragedy on stage. With expressive lines and intricate details, Gilbert-Martin brings to life the inner workings of a philosopher's mind. The image serves as a powerful commentary on censorship within the literary world during that era. It highlights the challenges faced by writers like Janin Jules who sought permission to express their thoughts freely through their work. This engraving stands as a testament to their resilience and determination in navigating these restrictions. Through this visual representation, we are transported back to the vibrant atmosphere of 19th-century France. It offers us insight into not only the artistic techniques prevalent at that time but also sheds light on societal issues surrounding freedom of expression. As we gaze upon this remarkable piece from Bridgeman Images' collection, we are reminded of how art has always been intertwined with politics and social discourse throughout history.
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