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The Graces and Cupid, detail of the embrace, and faces and gazes, 1820-22 (Carrara marble)

The Graces and Cupid, detail of the embrace, and faces and gazes, 1820-22 (Carrara marble)


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The Graces and Cupid, detail of the embrace, and faces and gazes, 1820-22 (Carrara marble)

6342989 The Graces and Cupid, detail of the embrace, and faces and gazes, 1820-22 (Carrara marble) by Thorvaldsen, Bertel (1770-1844); Thorvaldsens Museum, Copenhagen, Denmark; (add.info.: Le Grazie con Cupido, 1820-2, di Bertel Thorvaldsen (1770 - 1844), marmo di Carrara. Particolare dell abbraccio, con volti e sguardi tra le Grazie.); Ghigo Roli

Media ID 25137842

© Ghigo Roli / Bridgeman Images

Abbraccio Amore Arte Bellezza Femminile Bertel Thorvaldsen Cupid Cupido Divinita Donna Embrace Eros Female Beauty Female Figure Figura Femminile Grace Grazia Grazie Greek Myth L Ottocento Lottocento Marmo Marmo Di Carrara Mito Greco Mitología Neoclassicism Neoclassicismo Nudo Olimpo Olympus Scultura Sensualita Sensuality Sguardo Statua Tenderness Tenerezza The 19th Century The Charites The Graces Viso Xix Secolo Divinity


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Neoclassicism

> Arts > Sculpture

> Europe > Denmark > Copenhagen

> Europe > Denmark > Posters

> Europe > Denmark > Related Images

> Europe > Denmark > Sculptures

> Europe > Greece > Posters

> Europe > Greece > Related Images

> Europe > Greece > Sculptures

> Europe > Italy > Tuscany > Carrara

> Fine Art Finder > Artists > Bertel Thorvaldsen


EDITORS COMMENTS
This print showcases the exquisite sculpture "The Graces and Cupid" by Bertel Thorvaldsen. Created between 1820-22, this masterpiece is crafted from Carrara marble and can be found at the renowned Thorvaldsens Museum in Copenhagen, Denmark. In this particular detail of the artwork, we are drawn into an intimate embrace between The Graces and Cupid. Their faces and gazes captivate us, revealing a range of emotions that speak to the complexity of human relationships. The artist's attention to detail is evident in every curve and contour of their bodies, emphasizing their nakedness with grace and sensuality. Thorvaldsen's neoclassical style shines through in this piece as he draws inspiration from Greek mythology. The divine figures depicted here represent goddesses known as The Graces or Charites, symbolizing beauty, charm, and elegance. Cupid (also known as Eros), the god of love himself, adds an element of passion to the scene. The use of Carrara marble further enhances the ethereal quality of these sculptures while paying homage to classical art traditions. This print captures not only their physical beauty but also invites contemplation on themes such as tenderness, femininity, love, and mythological narratives. Ghigo Roli skillfully captures all these elements through his lens without commercial intent but rather with a desire to celebrate fine artistry for its intrinsic value.

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The Graces and Cupid, rear part, 1820-22 (Carrara marble)
The Graces and Cupid, rear part, 1820-22 (Carrara marble)
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