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The Earth as the center of the universe, surrounded by the 12 wind gods. Color woodcut by Albrecht Durer from W. Pirkheimers translation of Ptolemy, Geographicae enarrationes, published, 1525, by Johann Gruninger in Strassburg

The Earth as the center of the universe, surrounded by the 12 wind gods. Color woodcut by Albrecht Durer from W. Pirkheimers translation of Ptolemy, Geographicae enarrationes, published, 1525, by Johann Gruninger in Strassburg


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The Earth as the center of the universe, surrounded by the 12 wind gods. Color woodcut by Albrecht Durer from W. Pirkheimers translation of Ptolemy, Geographicae enarrationes, published, 1525, by Johann Gruninger in Strassburg

PTOLEMAIC UNIVERSE, 1525.
The Earth as the center of the universe, surrounded by the 12 wind gods. Color woodcut by Albrecht Durer from W. Pirkheimers translation of Ptolemy, Geographicae enarrationes, published, 1525, by Johann Gruninger in Strassburg

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 10408350

1525 Albrecht Celestial Sphere Center Claudius Cosmology Diagram Durer Hellenic Republic Johan Planet Ptolemaic Ptolemy Symbol Wind World Pirkheimer Willibald


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EDITORS COMMENTS
This color woodcut by Albrecht Durer, titled "The Earth as the center of the universe, surrounded by the 12 wind gods" offers a glimpse into medieval cosmology and symbolism. Created in 1525 for W. Pirkheimer's translation of Ptolemy's Geographicae enarrationes, this print showcases Durer's mastery in capturing intricate details and conveying complex concepts. At its core, this artwork depicts the Earth positioned at the center of the universe according to Ptolemaic astronomy. Surrounding our planet are twelve wind gods representing different directions and forces of nature. Each god is meticulously illustrated with their own unique attributes, symbolizing their respective dominion over winds from various regions. This woodcut not only reflects Renaissance fascination with celestial bodies but also highlights how ancient Greek knowledge influenced medieval understanding of cosmology. It serves as a visual representation of humanity's place within an ordered universe governed by divine powers. Durer's skillful use of colors brings vibrancy to this piece while maintaining its historical authenticity. The intricate lines and meticulous attention to detail showcase his technical prowess as an artist during that era. Overall, this woodcut stands as a testament to both artistic excellence and scientific exploration prevalent during the Renaissance period. It invites viewers to contemplate humanity's relationship with nature and ponder upon centuries-old beliefs about our place in the vast cosmos.

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