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CARTOON: IMMIGRATION, 1885. Columbias Unwelcome Guests. American cartoon by Frank Beard, 1885, showing unrestricted U. S. immigration policies encouraging the arrival of anarchists, socialists, and the Mafia from the sewers of Italy, Russia, and Germany
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CARTOON: IMMIGRATION, 1885. Columbias Unwelcome Guests. American cartoon by Frank Beard, 1885, showing unrestricted U. S. immigration policies encouraging the arrival of anarchists, socialists, and the Mafia from the sewers of Italy, Russia, and Germany
CARTOON: IMMIGRATION, 1885.
Columbias Unwelcome Guests. American cartoon by Frank Beard, 1885, showing unrestricted U.S. immigration policies encouraging the arrival of anarchists, socialists, and the Mafia from the sewers of Italy, Russia, and Germany
Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age
Media ID 6217951
1885 Anarchist Anti Immigrant Caricature Columbia Discrimination Frank Germany Immigrant Italy Liberated Mafia Political Acts Russia Russian Scanpix Socialist Stereotype
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This 1885 cartoon by Frank Beard, titled "Columbias Unwelcome Guests" sheds light on the controversial topic of unrestricted U. S. immigration policies during that era. In this thought-provoking illustration, Beard portrays a vivid scene where various undesirable characters emerge from the sewers of Italy, Russia, and Germany to infiltrate American society. The artist's intention is clear - he aims to criticize the perceived negative consequences of these immigration policies. Depicting anarchists, socialists, and even members of the Mafia rising from the depths below, Beard highlights his concerns about potential threats to American values and security. Through clever caricatures and stereotypes, such as a dog representing discrimination or Columbia symbolizing America herself being liberated against her will by these unwelcome guests, Beard effectively conveys his anti-immigrant sentiment prevalent at that time. This historical artwork not only reflects public opinion but also serves as a reminder of how political acts can influence artistic expression. It captures an important moment in American history when debates surrounding immigration were heated and polarized. As we examine this piece today with fresh eyes and modern perspectives on diversity and inclusion, it prompts us to reflect on our own attitudes towards immigrants in contemporary society. The Granger Collection has preserved this powerful image for us to contemplate its significance within our ever-evolving understanding of immigration policy throughout history.
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