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CHICAGO: NEWSBOY, 1942. Newsboy selling the Chicago Defender, a leading African
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CHICAGO: NEWSBOY, 1942. Newsboy selling the Chicago Defender, a leading African
CHICAGO: NEWSBOY, 1942.
Newsboy selling the Chicago Defender, a leading African American newspaper in Chicago, Illinois. Photograph by Jack Delano, April 1942
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Media ID 13215542
1942 Adolescent April Black Black Belt Chicago Child Labor Commerce Defender Delano Jack New Deal Newsboy Newspaper Paper Selling South Side Street Scene Vendor Working Class Young Unidentified
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EDITORS COMMENTS
CHICAGO: NEWSBOY, 1942. Capturing the vibrant spirit of a bygone era, this print showcases an adolescent African American newsboy selling the iconic Chicago Defender newspaper on a bustling street in Chicago's South Side. Taken by renowned photographer Jack Delano in April 1942, this image transports us back to a time when newspapers played a pivotal role in shaping public opinion and disseminating information. The young newsboy stands confidently amidst the city's daily hustle and bustle, embodying the resilience and determination of working-class individuals during that period. With his neatly dressed appearance and earnest expression, he represents not only child labor but also the aspirations of countless African Americans striving for success against all odds. The Chicago Defender holds particular significance as one of the leading African American newspapers at that time. It served as both a source of news for Black communities across Illinois and beyond, as well as a powerful platform for advocating civil rights and social justice. Delano's skillful composition captures not just the boy himself but also provides glimpses into everyday life in mid-20th century Chicago - from storefronts to pedestrians passing by. This photograph is an invaluable historical artifact that sheds light on both individual stories like our unidentified newsboy here, as well as broader themes such as commerce, early journalism practices, and societal dynamics within urban centers. Displaying this evocative piece will undoubtedly spark conversations about history, race relations, media influence, and economic realities faced by marginalized communities during
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