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Well, I Hardly Know Which To Take First! American cartoon comment, c1900, on Uncle Sams seemingly insatiable imperialist appetite, as President William McKinley, at right, waits to take the order

Well, I Hardly Know Which To Take First! American cartoon comment, c1900, on Uncle Sams seemingly insatiable imperialist appetite, as President William McKinley, at right, waits to take the order


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Well, I Hardly Know Which To Take First! American cartoon comment, c1900, on Uncle Sams seemingly insatiable imperialist appetite, as President William McKinley, at right, waits to take the order

IMPERIALISM CARTOON, c1900.
Well, I Hardly Know Which To Take First! American cartoon comment, c1900, on Uncle Sams seemingly insatiable imperialist appetite, as President William McKinley, at right, waits to take the order

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 7784693

1900 Anti Colonialism Apron Chair Colonialism Cuba Hawaii Latin America Mckinley Menu Napkin Personification Philippine Philippines Politics Polynesia Polynesian Puerto Rico Republican Restaurant Satire Table Cloth Uncle Sam Waiter Waiting Will I Am


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> Asia > Philippines > Maps

> Granger Art on Demand > American Presidents

> Granger Art on Demand > Uncle Sam

> Maps and Charts > Americas

> Maps and Charts > Early Maps

> North America > Cuba > Maps

> North America > Puerto Rico > Maps

> Popular Themes > Politics


EDITORS COMMENTS
The cartoon print titled "Well, I Hardly Know Which To Take First!" is a satirical commentary on Uncle Sam's insatiable imperialist appetite during the early 1900s. The image depicts President William McKinley seated at a table, waiting to take Uncle Sam's order as he contemplates which territory to conquer next. The cartoon cleverly personifies America as Uncle Sam, portrayed with an apron and napkin, symbolizing his readiness to devour new lands. Surrounding him are various menu options representing countries like Hawaii, Philippines, Cuba, Puerto Rico, and Latin America that were targets of American colonialism during this period. The artist uses humor and irony to criticize the Republican administration's expansionist policies by highlighting the voraciousness of American imperialism. The map on the tablecloth further emphasizes America's ambition for global dominance. This political satire reflects the anti-colonial sentiment prevalent at that time and raises questions about the ethical implications of American intervention in foreign territories. It serves as a reminder of how power dynamics can shape international relations and provoke debates about national identity and responsibility. Overall, this thought-provoking artwork captures a pivotal moment in history when America was grappling with its role as an emerging world power while also shedding light on the consequences of unchecked imperialism.

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