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The Man of Sorrow as Homo Signorum. Colored woodcut from Johann Regiomontanus Kalendarius teutsch, Augsburg
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The Man of Sorrow as Homo Signorum. Colored woodcut from Johann Regiomontanus Kalendarius teutsch, Augsburg
MAN OF SORROW, 1512.
The Man of Sorrow as Homo Signorum. Colored woodcut from Johann Regiomontanus Kalendarius teutsch, Augsburg
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Media ID 10505878
1512 Anatomy Augsburg Biology Bloodletting Diagram Germany Johan Medicine Occult Regiomontanus Science Sorrow Symbol Man Of Sorrow
EDITORS COMMENTS
This colored woodcut, titled "The Man of Sorrow as Homo Signorum" is a remarkable piece of art from the Renaissance era. Created in 1512 by Johann Regiomontanus, a renowned German illustrator and scientist, this print showcases his mastery in both anatomy and illustration. The image portrays a man with an expression of profound sorrow on his face. His body is intricately detailed, revealing various symbols and diagrams that represent different aspects of medieval medicine and science. The artist's attention to detail is evident in the depiction of bloodletting techniques, which were commonly practiced during that time for medical purposes. "The Man of Sorrow" serves as a visual representation of the human condition during the Renaissance period. It reflects not only the physical aspect but also delves into deeper realms such as occult symbolism and spirituality prevalent at that time. Regiomontanus' woodcut demonstrates how art was intertwined with scientific knowledge during this era. It beautifully combines elements from biology, anatomy, and medicine to create a thought-provoking composition that captivates viewers even today. This print stands as a testament to the skillful craftsmanship and intellectual curiosity present in Renaissance Germany. Its historical significance lies not only in its artistic value but also in its contribution to our understanding of medieval science and culture.
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