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Japanese cartoon showing the Chinese mode of transportation, with four men harnessed to a carriage by their long pigtails (top), and a tired Chinese worker in the silk industry. Woodcut by Kiyochika Kobayashi, 1895, at the time of the First Sino-Japanese War
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Japanese cartoon showing the Chinese mode of transportation, with four men harnessed to a carriage by their long pigtails (top), and a tired Chinese worker in the silk industry. Woodcut by Kiyochika Kobayashi, 1895, at the time of the First Sino-Japanese War
JAPANESE CARTOON, 1895.
Japanese cartoon showing the Chinese mode of transportation, with four men harnessed to a carriage by their long pigtails (top), and a tired Chinese worker in the silk industry. Woodcut by Kiyochika Kobayashi, 1895, at the time of the First Sino-Japanese War
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Media ID 7959951
1895 Carriage China Chinese Commerce D River Industry Japanese Kiyochika Kobayashi Pig Tail Propaganda Satire Silk Textile Upper Class Whip Wood Cut
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EDITORS COMMENTS
This woodcut by Kiyochika Kobayashi, created in 1895 during the First Sino-Japanese War, offers a satirical glimpse into the Chinese mode of transportation and silk industry. The Japanese cartoon portrays four men harnessed to a carriage using their long pigtails as reins, highlighting the perceived backwardness of Chinese customs at that time. This comical depiction serves as a form of propaganda, aiming to reinforce Japan's superiority over China. In addition to showcasing this unique mode of transportation, the woodcut also features a weary Chinese worker in the silk industry. This individual represents the countless laborers who tirelessly contributed to China's flourishing textile commerce. Their exhaustion is palpable, reflecting both their dedication and exploitation within this industry. The contrasting images depicted in this print shed light on societal hierarchies prevalent during that era. While some individuals were subjected to arduous labor and servitude, others enjoyed positions of power and privilege symbolized by their elegant attire and hats. Overall, this thought-provoking artwork provides valuable insights into historical perceptions between Japan and China during a period marked by conflict. It reminds us not only of cultural differences but also highlights how art can be used as a tool for political commentary and propaganda.
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