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SAMARKAND: BRIDGE, 1872. Ruins of the bridge of Shadman Malik. Photograph by N. V. Bogaevskii, 1872

SAMARKAND: BRIDGE, 1872. Ruins of the bridge of Shadman Malik. Photograph by N. V. Bogaevskii, 1872


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SAMARKAND: BRIDGE, 1872. Ruins of the bridge of Shadman Malik. Photograph by N. V. Bogaevskii, 1872

SAMARKAND: BRIDGE, 1872.
Ruins of the bridge of Shadman Malik. Photograph by N.V. Bogaevskii, 1872

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 6200985


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EDITORS COMMENTS
This print titled "SAMARKAND: BRIDGE, 1872" takes us back in time to witness the haunting beauty of a forgotten era. The image showcases the ruins of the bridge of Shadman Malik, frozen in time by photographer N. V. Bogaevskii in 1872. The photograph transports us to Samarkand, an ancient city along the Silk Road that has witnessed countless tales of conquests and cultural exchange throughout history. The remnants of this once majestic bridge stand as a testament to its former glory, now weathered by time and neglect. Through careful composition and use of light, Bogaevskii captures the grandeur that still lingers amidst decay. Each crack on the stone arches tells a story; each missing brick whispers secrets from centuries past. As we gaze upon this scene, we are reminded of our own impermanence and how even great structures can succumb to nature's relentless forces. The Granger Collection presents this remarkable piece as part of their Art on Demand collection, allowing art enthusiasts like ourselves to bring history into our homes. This particular print serves as a poignant reminder that even in ruinous remains lie traces of human ingenuity and resilience. Whether displayed in a study or living room, this evocative print will undoubtedly spark conversations about history's enduring influence on our present lives. It is not just an artwork but also a window into another world – one where bridges connected civilizations and stood tall against all

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