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NIAGARA FALLS. Dixon crossing Niagara below the Great Cantilever Bridge: stereograph, 1895

NIAGARA FALLS. Dixon crossing Niagara below the Great Cantilever Bridge: stereograph, 1895


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NIAGARA FALLS. Dixon crossing Niagara below the Great Cantilever Bridge: stereograph, 1895

NIAGARA FALLS.
Dixon crossing Niagara below the Great Cantilever Bridge: stereograph, 1895

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 6194571

1800s 1890s 1895 19th Balance Bridge Dixon New York Niagara River Tight Rope Walker Cantilever Bridge Stereograph


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> Arts > Landscape paintings > Waterfall and river artworks > River artworks

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EDITORS COMMENTS
This black and white stereograph from 1895 captures a breathtaking moment in history at Niagara Falls. The image showcases the daring feat of Dixon, a tightrope walker, as he fearlessly crosses the mighty Niagara River below the magnificent Great Cantilever Bridge. The late 19th century was an era of great American ingenuity and this photograph perfectly encapsulates that spirit. The bridge itself is a marvel of engineering, standing tall and proud against the backdrop of the roaring falls. Its cantilever design demonstrates the innovative techniques used to conquer nature's obstacles. Dixon's audacious act on the tightrope adds an element of suspense to this already awe-inspiring scene. With each step he takes, balancing precariously above the rushing waters, one can't help but hold their breath in anticipation. Niagara Falls has long been regarded as a symbol of natural beauty and power in North America. This photograph transports us back to a time when people were captivated by its grandeur and sought new ways to interact with it. As we gaze upon this historical print, we are reminded of both our human desire for adventure and our ability to overcome challenges through innovation. It serves as a testament to our relentless pursuit of pushing boundaries and embracing what lies beyond them.

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