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The Coonskin on the Wall. American cartoon, 1920, blaming the demise in the U. S. Senate of the League of Nations on Senator Henry Cabot Lodge, who had appended to the pact 14 reservations deemed unacceptable by the Leagues foremost champion, President Woodrow Wilson
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The Coonskin on the Wall. American cartoon, 1920, blaming the demise in the U. S. Senate of the League of Nations on Senator Henry Cabot Lodge, who had appended to the pact 14 reservations deemed unacceptable by the Leagues foremost champion, President Woodrow Wilson
LEAGUE OF NATIONS CARTOON.
The Coonskin on the Wall. American cartoon, 1920, blaming the demise in the U.S. Senate of the League of Nations on Senator Henry Cabot Lodge, who had appended to the pact 14 reservations deemed unacceptable by the Leagues foremost champion, President Woodrow Wilson
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Media ID 7786231
1920 Alliance Animal Cabot Coonskin Cap Henri Hide League Of Nations Lodge Nation Politics Satire Senate Surrender Treaty Of Versailles Wilson Woodrow
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EDITORS COMMENTS
This print titled "The Coonskin on the Wall" is an American cartoon from 1920 that symbolizes the demise of the League of Nations in the U. S. Senate. The blame for this failure falls on Senator Henry Cabot Lodge, who added 14 reservations to the pact that were considered unacceptable by President Woodrow Wilson, a staunch supporter of the League. In this thought-provoking image, we see a coonskin cap hanging prominently on a wall. This hat represents Lodge and his actions as he obstructed and undermined Wilson's efforts to establish an international alliance for peace. The use of satire in this cartoon highlights how Lodge's reservations weakened America's commitment to global cooperation and ultimately led to the downfall of the League. The artist skillfully captures both political symbolism and early 20th-century American humor in this piece. It serves as a reminder of how politics can influence important decisions such as treaties and alliances, shaping nations' destinies. "The Coonskin on the Wall" not only reflects upon historical events but also raises questions about power dynamics within governments and their impact on international relations. It invites viewers to contemplate whether personal ambitions should supersede collective efforts towards peace and unity. Overall, this intriguing artwork provides valuable insight into American politics during that era while serving as a timeless commentary on leadership, compromise, and diplomacy.
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