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PRESIDENTIAL CAMPAIGN, 1848. A pro-Zachary Taylor lithograph cartoon of 1848, deriding Martin Van Burens Free-Soil candidacy

PRESIDENTIAL CAMPAIGN, 1848. A pro-Zachary Taylor lithograph cartoon of 1848, deriding Martin Van Burens Free-Soil candidacy


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PRESIDENTIAL CAMPAIGN, 1848. A pro-Zachary Taylor lithograph cartoon of 1848, deriding Martin Van Burens Free-Soil candidacy

PRESIDENTIAL CAMPAIGN, 1848.
A pro-Zachary Taylor lithograph cartoon of 1848, deriding Martin Van Burens Free-Soil candidacy

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 7598507

1848 Candidate Canvassing Democrat Free Soil Martin Taylor Van Buren Whig Zachary


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EDITORS COMMENTS
This vintage lithograph cartoon from the 1848 presidential campaign captures the political atmosphere of the time, as it mocks Martin Van Buren's Free-Soil candidacy. The pro-Zachary Taylor artwork reflects the fierce competition between these two candidates vying for America's highest office. In this satirical piece, we see a middle-class American family gathered around a table, with their attention focused on a newspaper featuring Van Buren's image. The artist cleverly portrays Van Buren as an out-of-touch candidate by exaggerating his features and presenting him in a comical light. The cartoon not only highlights Taylor's popularity but also underscores the Whig party's efforts to discredit Van Buren and his Free-Soil platform. It serves as a reminder of how political campaigns have always been filled with propaganda and caricatures aimed at swaying public opinion. Presidential Campaign, 1848 is not just an artistic representation; it offers valuable insights into American history and politics during that era. This lithograph reminds us of the importance of understanding our past to better comprehend our present-day political landscape. As we gaze upon this historical artifact, we are transported back to a time when democracy was still evolving in America. It serves as both an educational tool and a visual testament to the power of art in shaping public discourse during pivotal moments in history.

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